#11
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I would reserve the name Sophia for a speaker with more curves . All joking aside, I have no trouble believing that Serge's new system sounds great and, as I said, he must be having the time of his audiophile life with all this new gear. Alberto |
#12
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I guess there's aesthetic synergy as well as sonic synergy. Alberto |
#13
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Of course one of these other speakers could have been named Sophia and then you'd say they are a little too bottom heavy to be called Sophia. |
#14
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Serge,
I believe you still have the 501s - are you going to run the Sophia's through those amps? Lots of us would be very interested in your impression, both on a stand alone basis and compared to the Lamms. Apologies to Jim, I initially missed your comparison of WP's vs. Sophias. Agree with you guys 100% on the aesthetics of the SF/B&W vs. the Wilsons. There's some rooms/homes in which the Wilsons look incredible, although IMHO SF's & B&W are aesthetically more versatile overall. I get the impression Wilson is relatively popular in Scandinavia, where that look fits in more than a typical US non-dedicated listening room.
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Sources: Vinyl: Clearaudio Innovation Wood turntable with 9" Universal tonearm, Da Vinci V2 cartridge, Stillpoints SS & Stillpoints clamp, McIntosh MVP 901, Apple Mac mini via Benchmark DAC 1, Aurender N100C via Schiit Yggdrasil Control: McIntosh C1100, Mcintosh MX151 Power: Mcintosh MC2301s (front), McIntosh MC501 (center), Mcintosh MC402 (rear) Speakers: Sonus Faber Amati Futura (front and back), SF Vox center Power/connections: PS Audio Power Port receptacles, RGPC 400 pro (2) WireWorld interconnects and speaker cable |
#15
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Wilson seems to be taking some design ques from Hansen, they just haven't rounded off the edges yet. The Sophia's would be a show stopper in rosewood.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#16
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This stiffness also must truly help the speaker overall as the micro-details it reproduces as the gear is pulling up out of the recording is rather impressive to say the least. The Sonus Fabers were braced very well and the cabinets had minimal amounts of resonance but the Sophia's truly take it to another level. Wood/MDF obviously has it's limitations. It can be done when taken to extreme like the Magico guys do it but the resin compounds of speakers like Wilson, Hansen, upper Rockports, etc.. have an obvious benefit. I played around with the toe in some more and was able to get them to focus better. Wow... I am sitting here and trying to find a fault with these speakers but so far I am only impressed more and more.... |
#17
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I'll give the 501s a try driving the Sophia's. I don't see why they also wouldn't sound great with the 501s but I'll try just to be sure. Actually more often I see the Sophia being driven by much lower class gear as if the dealer want's to prove that anything can drive them. I think that is a mistake because they truly deserve some serious gear behind them. They don't seem like they would hold the rest of the gear back. Actually they let me hear even more of what the rest of my gear is like at this point. |
#18
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I am not sure how much of the improvement from the Sophia to the Sopia 2 can be attributed to the new M3 material, but I think the new tweeter really improved the sound. |
#19
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#20
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They had the Sophia's at CES this year in a small booth with some tube gear that I cannot remember.
It sounded wonderful compared to the surrounding rooms - even with that metal dome the highs were not obtrusive or bright at all. If something sounded like garbage we tended to "calm" our ears by going back to those speakers or the XR200 room...
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Main: McIntosh XRT1K MDA1000 MC402 | JL F113 | Bryston BUC-1 | WireWorld Cabling | RGPC1200C | PPP
Office: Bel Canto S300iu 24/96 | KEF LS50 | REL R218 | WW Mini Eclipse | 18 TB Media Server Mobile: McIntosh MX406 MDA5000 MCD4000 MCC420M | JM Lab/Focal Utopia |
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