#581
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If you use that kind of system in the right way there is lower noicefloor and let it be more darknes around any sound in the recording. It is the most effect on the digital side. The Krells are working perfectly fine. They are all fully serviced by a authorized and very experienced engineer that has worked with Krell, ARC and other big brends products since the beginning of time... almost. He know Krell as I know my pocket. But since they are 20 years old it is a gift every day as long as they work this good.
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It Don't Mean a Thing If It Ain't Got That Swing Last edited by Apexorca; 09-11-2023 at 07:43 PM. |
#582
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#583
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Best Charles
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__________________________________________ Charles Updated System: Wilson McIntosh Audioquest Amps: McIntosh MC3500MKII (2); McIntosh MC1.25KW (2); MC2.1KW An (1) Preamp: C-12000 An Sources: MCD12000 An; MVP881; MVP851; MR87; Marantz 510LV; ASUS laptop Speakers: Wilson Audio Specialties Chronosonic XVX Sub-woofer: Wilson Audio Specialties Thor’s Hammer (1); Wilson ActivXO Stereo Electronic Crossover Cables main system: Audioquest WEL Signature speaker cables; balanced IC (preamp to main amps); WEL Signature digital coaxial cable for MVP 881/MCD12000; Audioquest Diamond optical (1) for tuner, (1) for MVP 851 DVD player, and (1) for LD player for total of (3); Audioquest Diamond USB cable; Dragon power cords (5 HC cords and 3 source cords for total of 8); Thunder HC power cord for MR87 tuner Cables subwoofer system: Audioquest Redwood speaker cable (1); Wolf balanced subwoofer IC; Wind balanced IC from preamp to ActivXO; Hurricane HC (3); Hurricane Source (1); Dragon HC (1) power cords Power conditioners: Audioquest Niagara 7000 (1) and Niagara 5000 (3); (4) dedicated 20-amp lines. Isolation: Wilson Pedestals; Bassocontinuo McIntosh Ultra Feet; X-material plinth Cabinet: Double Custom Woodwork & Design (CWD) Acoustic Treatments: Room and Echo Tunes |
#584
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Your system is gorgeous. I'v never heard MC3500 but I take your word for it. Nice roller skates!
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It Don't Mean a Thing If It Ain't Got That Swing |
#585
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I had Einstein make new loads for my two mono Riaa The Turntables Choice. I tried som different loads and thought 400 Ohm was the best with Lyra Atlas Lambda.
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It Don't Mean a Thing If It Ain't Got That Swing |
#586
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I always listen to different systems by friends or at domonstrations. I always try to figure out their best characteristics.
I try to hang on to the journey of familiar systems that I know and try to figure out what I can learn from that in my system. One thing I always wanted to to in my system is to move my speakers around a bit to optimize the sondstage and overall sound. I'v had a hard time doing that because to short cables. Tri-amping comes with a demanding cable issue. I have now bought one more pair of Nordost Valhalla speaker cables. I now use Nordost Odin to Mid and Hi 250-35000Hz - Nordost Valhalla to upper base 80-250Hz - and Nordost Valhalla deep low 18-80 Hz. These used pair is the last purchese. At this point I could reorganize my cables so that I could move my speaker around. Not easy since the weigh around 680 lbs per speaker but I'm still in shape for it. My goal with this was to have a better soundstage more depth behind the speakers. I already have a very wide soundstage but tried to get more 3d sound. I moved the speakers out in the room and both speaker a bit to the right. I got a better soundstage fore sure but lost a bit slam and power in the bottom end. I did not want that but tried to get used to thet reality. I'v never been a listener that listen so much for 3d and so. I'm more into fast transients, dynamics, realistic sound and timbre from acoustic instuments. It's very god now but during some time i miss my tremendous slam and power. If you never heard it you would think it's plenty but you know... since you heard better there is no turning back. I decidet to have it back... and why not even more. Lets go back to the year 2000. I tried to get the sound powerfull with some subwoofers. I tried hard but never got them good integrated. More power but less music. Since then I'v heard many many big systems with subwoofers. The "bad timing" always killed the music. Bad trade off I thought. For som years ago a started to hear very good big systems with well integrated Subwoofers. Often with REL. I'v got two Bob Carver Sunfire True subwoofer for my homecinema but they are not to match up with my HiFi-system. I read a lot of reviews during last winter and tried to listen to as many subwoofers I could. I often go to classical music to the Gothenburg Symphony Orchestra. It's not possible to match that real life sound experience but some parts in it could be good to try to get clouser to. Like power, sondstage, and how the low end warmth is big airy and powerfull without getting loud. It's hard to describe that experience but it's overwhelming and a desirable quality to gain in a HiFi system. So that was part of may desire. One demo with JL-Audio Gotham V2 was extraordinary. It was the best integreated subwoofer I'v ever heard. JL-audio has got a lot of features to align the sub with the main-speakers and the room perfectly. And the output from The two drivers in Gotham V2 is enrmeous. 4500watt can drive them excellent. The over all construction and engineering is top of the line. I just had to try one. After som thinking where to put it and I'v got some help from an acoustic engineer we calculated a reasonable location in my room. The idea is not to fill upp my uper base since thats already powerfull, but to met upp in the deep low att about 35hz and try to have a great output down below 20hz. Down in these rigeons a lot of space is reveled in the recording and of corse power. Along with this all the way up to mid and hi Hz you will gain smoothnes and space and airiness. I manage to get the Gotham V2 completely integrated in the soundstage as I wanted. This is the best and biggest upgrade in my system. It does not just makes the system better in their field. It's a completely new field of music reproduction with a great subwooferintegration. I'm blown away. Pics coming soon below.
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It Don't Mean a Thing If It Ain't Got That Swing |
#587
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This was one system with new subwoofers and it got much better. That inspired me.
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It Don't Mean a Thing If It Ain't Got That Swing Last edited by Apexorca; 09-12-2023 at 03:16 PM. |
#588
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It's a beast! 360 lbs and rounded corners. Not easy to lift. One day it was standing outside our house. 4 people, me a friend and my son and his friend got it up some stairs and into the house. It was quite tricky to get in in place. After that everything was easy. 4 minutes later it was calibrated and ready to use. The calibration is a walk in the park. One microphone in the sweet spot, no internet connection or extra computer that can screw it up. Just press CALIBRATE and be still and quiet. This is the spot for JL Audio Gothamn V2. It is standing on three damped feets. Very polished. After a day or two I came upp with these settings to make it fully integrated. Tried the first week with a no name interconnect cable but upgraded after som few weeks to Nordosts subwoofer cable. Blue Heaven. That change the sound a bit so a made a new calibration and fine tuned the settings a bit for best performance. As powercord i use Nordost Brahma. Can you see it? So small that you can hide it behind your speakers... I'v been at demonstration with other subwoofer brands and how to calibrate and make the subwoofer integrated. Never it's so easy with so good results as with JL Audio. Due to my knowledge ther is no other brand that makes this so easy to get it perfectly integrated. For me that is when you never hear the subwoofer. It does not reveal it selves in the soundstage. It just ads low Hz with power, warmth, space, accuracy and richness in the soundstage and sound. When you are playing by lower volumes its more easy to get a good sound as well. This is the crowded speaker cable connections in the back sid of The Sf. From the sweet spot.
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It Don't Mean a Thing If It Ain't Got That Swing Last edited by Apexorca; 12-28-2023 at 02:27 PM. |
#589
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Congrats!
Dual Gotham’s or bust!
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#590
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I heard people say, looking att my pictures or others of the set up and room and sugest that there is a problem. They talk about acoustic treatment and that it's a shame to have this system in such a room. They got no clue about it. The room is excellent. And it's careful furnished and treated for being a excellent listening space.
Noticeable is that my room is treated with built in to the ceiling base traps, and damping and diffusion in the ceiling. Everything specially built and adapted to my circumstances. In addition to that I use damping and diffusion that I put in strategic places for optimal listening experience. In front of the screen and so on. I'm a bit lucky with this listening space. The base in the room is as close to perfect as it can be. Never overloaded, textured, detailed, fast and deep. Not even when playing Reel to Reel with very deep Hz and very loud the room starts to . I recently had an acoustic specialist in this room to measure it. He found nothing substantial in the measurement that he would change. He just relocated two damping plates a bit. That made the curve look better but hard to hear. It's not easy to judge a room or system without being there and listen.
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It Don't Mean a Thing If It Ain't Got That Swing Last edited by Apexorca; 09-13-2023 at 02:05 AM. |
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