#11
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Count me in as an interested prospect. One thing I always wonder about is - what I don't know SHOULD be happening in the music. An experienced expert could not only find it, but teach me to look for it and know what to do to find it. In other words, I don't know what problems my sound has as I am not an expert and am basically the only person who even tries to really listen to my system.
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Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server, Clearaudio Performance SE. Satisfy tonearm & Maestro Wood MM cartridge. Power: Shunyata Everest 8000, Sigma XC v2, Sigma NR v2, Block Audio PCs, Defender, ADDPowr Wizard Grounding: Shunyata Altaira CGS - 4 X Alpha CGS cables, Network : Supra Cat 8+, Twin (Nenon) Modified Buffalo GS2016 Switches, Keces P3 LPSU, Cables: Wireworld Platinum 8 USB, Wireworld Platinum Eclipse 8 Speaker cables, 6M & 1M Tubulus Concentus ICs, Other:Two PSI Audio AVAA C20, Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack |
#12
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I'm surprised with all the systems on here, no one (at least I don't think so) has done this but me! Jim Smith came out to the house about a year and a half ago and performed his room play here in my listening room. It was fantastic and made a great difference......now the caveat here is that it turns out that Jim only lives about 20 minutes! from me so it was a relatively easy process. It also gave me the opportunity to go over to his home and spend a couple of hours listening to his system and seeing how he optimized his room and setup. It was a very cool experience. If anyone is interested, just let me know and I can post in more detail what we did!
- Buck
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Library: Speakers: Avalon Acoustics Isis, Subwoofers: (2) REL Acoustics 212SE Amplification: D’agostino Momentum preamplifier, D’agostino S250 stereo amplifier Digital: dCS Rossini CD/SACD transport, dCS Rossini DAC/streamer/master clock. Analog: Brinkmann Taurus table, Lyra Etna Lambda, Audio Research Ref. Phono 3 |
#13
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#14
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#15
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I would be interested. I had William Phelps optimize my CRT projection video setup and I learned more from him in a day than I did from Joe Kane's ISF course that I took. There is no substitute for broad experience.
Tom
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Main System: Amati Futura Mains Amati Homage VOX Center, Proac Response 1sc Rears, Three MC2301's for L,C,R MC 602 for the rears C 1100, MX 151, MCD 1100, MR 80 Nottingham Dais with Wave Mechanic Sumiko Palo Santos Presentation SurfacePro 3, RPi 4, ROON, WW Starlight Platinum USB, Schiit Yggdrasil, Benchmark DAC3 HGC MX 151, OppO BDP-95, JVC RS-500 DILA projector, 106" diagonal Stewart Luxus Screenwall Deluxe with Studiotek 130 G3 material. Lake House: Ohm F, MC 275V, C2300, MR 77, Rega P3 OnDeck: McIntosh MAC 4300v |
#16
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Bill, I didn't knew that such service existed. As you mentioned, price is a no-brainer when you think that I've spend more on a pair of cables ! The time saved on tweaking and placement can be spend on listening music and enjoying the system.
This should be mandatory in any deserving system. The issue is to find someone you can trust and know he'll deliver. If you ever know someone in London who does this, I'd be interested. |
#17
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Maybe we should arrange a European Tour for Bill!
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#18
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Guys, though I am flattered and would love to come to Europe and see you, this is not about me at all. This is about very skilled people who do this and only this for a living. They address every aspect of your listening room and system. They are beholding to their customer, not a particular manufacturer. I pointed out Stirling Trayle and Jim Smith because those are two with whose superb results I am very familiar. As for a Euro tour, the article about Stirl was documenting a set up in the UK. Hmm. |
#19
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A second advantage of Jim's setup is his sheer volume of experience and expertise being in high end audio for years and years which means he's setup so many systems, he's quite familiar with the majority of loudspeakers and their tendencies....i.e. how they should sound, which models should be toed in or not, etc.... those kind of things. He spent years with companies such as Magnepan and Avantgarde Acoustics just to name a couple. He began the session by listening to how everything sounds of course first. He brought with him about 6 CDs worth of material that he uses to tune systems, some of the stuff he recorded himself. He brought some equipment such as tripods, laser range measures, etc. and setup a grid based on the dimensions of the room so you can easily pinpoint the center point and other points around the room. Once the grid was setup, that's where the speakers were moved based not only on the grid measurements, but on listening with each slight move...he was even checking sound based on a movement of 1/16 of an inch!!!!! He was very patient obviously. Once he had the speakers exactly where he wanted them (which was a very long process), he went to work on the subwoofers with the same attention to detail using measurements, ears, and a spectrum analyzer. Once the primary positions were dialed in, micro adjustments on rake angle, toe in, you name it were done until he couldn't get any better performance. This is just a brief overview of the process, all in all he was at the house for close to 8 hours and there was more detail than I could write up here, but after finishing it was successful since my wife could tell a difference. If she can tell, than you know it worked. - Buck
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Library: Speakers: Avalon Acoustics Isis, Subwoofers: (2) REL Acoustics 212SE Amplification: D’agostino Momentum preamplifier, D’agostino S250 stereo amplifier Digital: dCS Rossini CD/SACD transport, dCS Rossini DAC/streamer/master clock. Analog: Brinkmann Taurus table, Lyra Etna Lambda, Audio Research Ref. Phono 3 |
#20
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This just became infinitely more appealing knowing he is based out of Petaluma.
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Dennis C500, MX123, MC501 (2), MC207, MCD500, Silenzio, Bryston BDA3, Shunyata Denali 6000/S, Panasonic UB900, Canton Reference 3K, Canton Reference 50K, Fresco, Descent |
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