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Oh, I see. Thanks for bringing that up, I overlooked that... |
#22
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#23
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I now remember that my first audio system included the Accuphase C222 and P266 pre and power. It never failed to perform and at no time it was at a workshop. Bear in mind that these units, together with the Accuphase CD and DAC, was hauled around the globe various times back when I was posted in different cities, and it never suffered any damages (some others did, ie rust or failed to read disc or smoke when power on). They do make nice sounding products too. |
#24
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"Why do you think Accuphase is superior to other brands?"
My ears tell me so. |
#25
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I see. Very well then.
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#26
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#27
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Agree with hifidelitea about the reliability, my old E-205 Integrated amp is still going, and never been to the workshop. It might need the large caps by now 26 years later, and smaller electrolytics to keep it going for another 26 years. No rust spots, although the RCA jacks could use some polish on them. Metal finish is still good.
The difficult choice with Accuphase is do you wait for the next model to buy, or buy now, since the purchase is going to be around a long time to come, plan at least 15-20 years ahead. Then again, Accuphase sounds awesome to begin with. Last edited by One and a Half; 12-31-2014 at 08:31 AM. |
#28
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#29
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The "next model" from Accuphase as far as amplifiers are concerned is usually an improvement of the guaranteed figures, the S/N is usually lower by a few decimals of %. Sometimes, their supplier runs out of a semiconductor, so they can't continue with that model. Classic case is the E-450 integrated, which used bipolar transistors, the supply dried up and the next model, E-460 used MOSFETs. Amps are graded so that the a level of progression is always maintained. For example the entry level pre-amps have one pre output. The next models up have dual pre-outs as standard. Phono preamps are usually an option built in. Sound quality changes as well, so does the price! Models tend to run 2- 3 years between model changes, the big surprise in 2014 was dropping the E-600 SACD, leaving two SACD players with a large price difference between the two. If find little buyer's remorse when it comes to Accuphase, since they sound great for years, amplifiers anyway. The biggest decision is to allow enough power for inefficient speakers that you will buy along the way, or provide enough inputs and outputs for devices that aren't on the market yet or allow you to add a power or a pre amp if you've bought an integrated amp for example. The integrateds offer a selection of optional modules, like DACs or phono inputs which are great to get you going with a minimum of fuss and you don't need to upgrade the whole amp in case the DAC changes. BTW I would like to see a DAC50(?) with DSD input to DSD128, and a few more DAC chips as found in the DP-600 end stages. I've heard from other people when they sold their Accuphase and bought another brand, it was their deepest regret. |
#30
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I've heard it said, more than once that "Accuphase is Japan's McIntosh" . . . or is it "McIntosh is America's Accuphase"?
Doesn't really matter, build quality is phenomenal. (And the sound is phenomenal too !!!!)
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.... I have a record player and a cd player and some other stuff that sounds pretty good. MAIN SYSTEM: . . . Audio Physic Caldera III Loudspeakers, Spectral DMC 30SL Preamp, Spectral DMA 250 Amp, Spectral/MIT interconnects and speaker cable, Basis Debut V Vacuum turntable, Walker Precision Speed Controller, Graham tonearm, [B]Koetsu Rosewood or Grado Statement 1 Cartridges, PASS - X-ono Phono Stage, Esoteric K03 CD/SACD Player, Lexicon RT-20 Universal Player, Exact Power EP-15A & SP-15A power regeneration and conditioning devices. Symposium Acoustics Svelte pads & RollerBlock Jr's under speakers. ASC Tube Traps, Arcici Suspense Rack System, OPPO and Cambridge Streaming Devices. DOWNSTAIRS SYSTEM: . . . Sonus Faber Guarneri Memento Speakers, JL Audio F112 Sub, McIntosh MA7000 Integrated Amp, McIntosh MVP871 Universal Disc Player, OPPO BDP-105 Blu-Ray Player, VPI Scoutmaster with periphery ring clamp, VPI SDS Motor Drive, Koetsu Pro IV, or Clearaudio Discovery Cartridges, Mark Levinson No. 25s phono stage, Wadia 170i Transport with a Meridian Bitstream 203 DAC, VPI HW-17 Pro Record Cleaning Machine, Five Richard Gray RGPC 400 devices scattered around the two systems, Arcici Suspense Rack System, Discovery Essence and Essential Cables, 14,000 ± LPs . |
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