#11
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(Ps...No insult intended by the "man of few words" comment. Hope none was taken.) |
#12
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I try not to elaborate too much on gear I no longer own since we have such a diverse group here, not to offend those that do own and like that gear. Of course if someone asks a more specific question.... It seemed to me you wanted just a bit more of an answer. It's all listener preference anyways. I owned various ARC and actually enjoyed it but moved on after hearing gear that was more to my own taste and preference.
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#13
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I have an ARC PH5 phono preamp and a DAC7 D/A converter. I'm now using the the phono section in my newly acquired Mac C2200 so the PH5 is up for sale. The DAC7 will problably stay for awhile. It replaced a CAL Alpha DAC and so far I'm very pleased with it. I like the USB input. That is hooked up to my MacBook for streaming audio. I could only see replacing it with either a Mac MDA1000 or MCD500. At this point I'm not willing to make that big of a jump.
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#14
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Therein lies the reason I bought the LS26. There is no Mac equivalent product near its price point, C500 is twice the cost. LS 26 is clean, neutral, dynamic, quiet, flawless operation. Doesn't look like a Mac but then again it's not supposed to. Beats the C45 it replaced in every imaginable way.
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Pass XP-20, Oppo BDP-103, PS Audio DSD DAC, PS Audio P5 Powerplant, ATC SCM 19A speakers, Aurender N100H, ACI Force XL sub, Transparent, Wireworld |
#15
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Sal.......How about posting a photo or two of the LS26 in your rack.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#16
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An ARC Ref 3 and a PH7 w/the black faceplates are tempting in their own right. I honestly believe there is some synergy possible with those items and McIntosh tube amps. A high cost to find out -- which sucks.
I'm trying to away from the thought.
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. Last edited by vintage_tube; 08-18-2009 at 05:50 PM. |
#17
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Quote:
Better watch out...LuFlu will catchya and getcha!! Pete
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Pete No. 35 Main System: VPI Prime Signature TT in Rosewood, Ortofon Cadenza Black, Stillpoints LP1 V2, McIntosh: MP100, MR78, MCD1000 Transport on Stillpoint Ultra Minis, MDA1000 D/A Converter on Stillpoint Ultra Minis, MS750 Music Server, C40, MC501's (3), Soundcraftsmen: DC2215 Eq/AS1000 Real time analyzer, DBX 3BX II, Carver C9, Nakamichi Dragon, Crown SX724, Crown D-75A (as headphone amp), Sony XBR55X900E 4K TV, JBL L220A's, JBL B460, Sumo Delilah active crossover, WireWorld Silver Eclipse audio interconnects, WireWorld Starlight and Silver Starlight Coaxial Digital interconnects, Wireworld SuperNova 7 Toslink digital interconnect, WireWorld Aurora 7 and Silver Electra Power cords, Wireworld Silver Eclipse 8 speaker cables, Terk AF-1 Powered Antenna, Oppo UDP-205 4K Blu-Ray Player, Bryson BUC-1 USB Converter, Wireworld Gold Starlight XLR Digital interconnect, PS Audio Direct Stream Power Plant 12 on Stillpoint Ultra Minis, PS Audio Dectect, FuruTech Flux-50 NCF Inline Power Filter, Add-Powr Wizard EM Field AC Line conditioner; Stillpoint Ultra SS's under (3) McIntosh MC501 Amplifiers Florida Room/Art Studio System: Harmon Kardon T60 TT/Ortofon 2M Black, McIntosh: MR77, C32, MC2205; Crown Power Line Four, Wyred for Sound DAC-2 Digital to Analog converter, Soundcraftsmen AE2000 Eq, JBL 4313B's, JBL 2241-based Sub, JBL BX63A Active Crossover, Oppo BDP-105D Blu-Ray Player, Samsung 5500 Series 32" Smart TV, Terk AF-1 Powered Antenna Master Bedroom System: McIntosh: MX120 Theater processor, MC206 6-channel amplifier; MR74 AM/FM Tuner, Oppo UDP-203 4K Blu-ray player, JVC HM-DH40000U D-Theater Digital VHS, Phase Technology PC80 Towers (now used as stands), (2) JBL 4401's, (1) JBL Studio 6IW speaker, (2) JBL Studio 6IC speakers, Sony XBR-49X900E UHD TV, Panamax 1000 Line Conditioner, (2) JL Audio E110 Subwoofers, Wireworld Solstice speaker cables, Wireworld Aurora Power cords, Wireworld Equinox and Solstice speaker cables and various other flavors of Wireworld and Audioquest cabling Office System: Marantz 150 Tuner, Crown DL 2, Crown EQ 2, Crown SA 2, Crown D-75A (as headphone amp), McIntosh MCD7009 (as transport), DBX 3BX Series II, Oppo BDP-103 Blu-ray player, JBL 4401's, JL Audio E112 Subwoofer, Samsung 5500 series 32" Smart TV, Wire World Oasis audio interconnects, Wire World Solstice speaker cables, Wyred for Sound DAC-2 DSDse Digital to Analog converter, Wireworld Starlight Coaxial Digital Interconnect, Sennheiser HD800 Headphones, Sennheiser HDVA600 Headphone amp, Wireworld Silver Eclipse Balanced Interconnects, Wireworld Platinum Starlight USB Cable, Add-Powr EAU-2 AC Harmonic resonator High Resolution Source: HP Omen 17" Gaming Laptop |
#18
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If you have a bent for a tube phono stage I would strongly suggest that you check out some EAR phono stages, all of their phono stages are tubed except the 324, which is solid state. Most people already know that I prefer SS for vinyl playback vs tubes so that why the choice for the 324 was so easy for me. I've yet to experience a better sounding phono stage than the EAR 324. Just my opinion. |
#19
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Hey uberbrwon...as you can tell i am a fan of the ARC Reference gear. I guess I joined this site a few months late for a timely response to your post. Happy to share with you my impression of the gear. I had the LS26 before the Ref 3 as well if you were considering that. Did you ever audition the ARC gear?
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#20
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For I am not ashamed, for I know [in] Whom I have believed and am persuaded that He is able... |
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