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#11
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One doesn't really look to 1960 Soviet era recordings for an audiogasm, but this sounds pretty decent overall--I can hear some obvious compression/gain-riding and spot mic'ing, but it's perfectly listenable. No, the bass drums don't shake my house the way Andris Nelsons' does, but Kondrashin's is perhaps the most brutally intense version I have heard. The Moscow Philharmonic play as if their lives depended on it.
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