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Old 11-08-2019, 04:51 PM
LarsT LarsT is offline
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Default Why Do I Have Better Luck With Bookshelf Speakers?

I have been struggling to find a pair of floorstanders that, well, floor me. However, I have had much better luck with bookshelf speakers. I have been wondering why that is, but I can’t seem to put my finger on it, aside from two way and full range considerations. What am I missing? I have gone from one end of the spectrum to the other, brighter vs warmer, the same brand, different brands, etc. I just can’t seem to get it right, and I would like to get off the merry go round.
I realize that there are many variables to consider, but I guess my question is more of a general speaker question as opposed to room acoustics, speaker placement, etc.

Any and all thoughts would be welcome.

Last edited by LarsT; 11-08-2019 at 05:00 PM.
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Old 11-08-2019, 06:15 PM
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Just two words are in order; “Road Trip”
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Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
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Old 11-08-2019, 06:20 PM
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Quote:
Originally Posted by Masterlu View Post
Just two words are in order; “Road Trip”


That would be a wise move
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Old 11-08-2019, 07:22 PM
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Am like you. Every time I move to floor standers I end up back with monitors. Think it is likely the better sound-stage with a 2-way monitor. The closest I've come is with 2-way floor standers from Devore or Joseph Audio. Am on a "speaker search" (forever?) and the best I've heard to-date have been 2-way floor standers.
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Old 11-08-2019, 08:29 PM
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Quote:
Originally Posted by LarsT View Post
That would be a wise move
You will hear many outstanding floor standers; I guarantee it!
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MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES
Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES
CAPE COD

MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES
Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES
Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES

Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES
Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES
Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES
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Old 11-08-2019, 08:44 PM
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Default Why Do I Have Better Luck With Bookshelf Speakers?

Here’s my experience. With monitors you can position them to optimize imaging and soundstage. You can get holographic performance and great tone within the constraints of multi-use rooms. You can add a subwoofer to reproduce the lowest two octaves and position the sub for optimum coupling in to the room. What you will miss is the scale and coherence of a full size floorstander, especially in the lower midrange and upper bass ranges.

With floorstanders, the positioning problem is way more challenging. You have to position the speakers so the bass couples into the room uniformly vs frequency at your listening position. This often necessitates a position that may not be compatible with other uses of the room, perhaps with the speakers further away from the front and side walls than you can easily accommodate. After you‘ve done that, you have to tweak the position of the speakers to optimize imaging, which may impact the bass coupling. You then adjust the rake angle for a coherent top to bottom presentation. What you get in return is scale you just can’t get from monitors, great mid-bass transient attack, and an overall presentation that is very coherent.
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Old 11-08-2019, 09:43 PM
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One word:

Dynaudio
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Old 11-09-2019, 01:51 AM
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Quote:
Originally Posted by W9TR View Post
Here’s my experience. With monitors you can position them to optimize imaging and soundstage. You can get holographic performance and great tone within the constraints of multi-use rooms. You can add a subwoofer to reproduce the lowest two octaves and position the sub for optimum coupling in to the room. What you will miss is the scale and coherence of a full size floorstander, especially in the lower midrange and upper bass ranges.

With floorstanders, the positioning problem is way more challenging. You have to position the speakers so the bass couples into the room uniformly vs frequency at your listening position. This often necessitates a position that may not be compatible with other uses of the room, perhaps with the speakers further away from the front and side walls than you can easily accommodate. After you‘ve done that, you have to tweak the position of the speakers to optimize imaging, which may impact the bass coupling. You then adjust the rake angle for a coherent top to bottom presentation. What you get in return is scale you just can’t get from monitors, great mid-bass transient attack, and an overall presentation that is very coherent.


Great post.
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Old 11-09-2019, 03:09 AM
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Quote:
Originally Posted by W9TR View Post
Here’s my experience. With monitors you can position them to optimize imaging and soundstage. You can get holographic performance and great tone within the constraints of multi-use rooms. You can add a subwoofer to reproduce the lowest two octaves and position the sub for optimum coupling in to the room. What you will miss is the scale and coherence of a full size floorstander, especially in the lower midrange and upper bass ranges.

With floorstanders, the positioning problem is way more challenging. You have to position the speakers so the bass couples into the room uniformly vs frequency at your listening position. This often necessitates a position that may not be compatible with other uses of the room, perhaps with the speakers further away from the front and side walls than you can easily accommodate. After you‘ve done that, you have to tweak the position of the speakers to optimize imaging, which may impact the bass coupling. You then adjust the rake angle for a coherent top to bottom presentation. What you get in return is scale you just can’t get from monitors, great mid-bass transient attack, and an overall presentation that is very coherent.

Excellent!
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Old 11-09-2019, 07:42 AM
LarsT LarsT is offline
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Quote:
Originally Posted by W9TR View Post
Here’s my experience. With monitors you can position them to optimize imaging and soundstage. You can get holographic performance and great tone within the constraints of multi-use rooms. You can add a subwoofer to reproduce the lowest two octaves and position the sub for optimum coupling in to the room. What you will miss is the scale and coherence of a full size floorstander, especially in the lower midrange and upper bass ranges.

With floorstanders, the positioning problem is way more challenging. You have to position the speakers so the bass couples into the room uniformly vs frequency at your listening position. This often necessitates a position that may not be compatible with other uses of the room, perhaps with the speakers further away from the front and side walls than you can easily accommodate. After you‘ve done that, you have to tweak the position of the speakers to optimize imaging, which may impact the bass coupling. You then adjust the rake angle for a coherent top to bottom presentation. What you get in return is scale you just can’t get from monitors, great mid-bass transient attack, and an overall presentation that is very coherent.
Well that certainly explains my thoughts much better that I can. I'm guessing part of my problem is my lack of understanding of the science involved...or inability to articulate it.
A large part of what I'm missing with floorstanders is the holographic sound. It's amazing how I have owned monitors that sound "right" immediately, with very little positioning. B&W 805D3 and Aerial Acoustics 5T immediately come to mind. I had the instant wow factor. A lack of scale is the major drawback. On the other hand, I have spent hours adjusting positioning of floorstanders, trying in vain to find the sweet spot. Acoustic treatments have helped with bass response, but not the overall image. And I have never had the wow factor right off the bat.
So perhaps I am looking for a speaker that is very forgiving in terms of room positioning so I can find the elusive holographic sound where the music is floating all around me. The best I have hear to date is Avalon ISIS, but that is not a realistic option for me.
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