#311
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Quote:
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Tony |
#312
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Ahhh great! Now another component that I want $$$
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Trevor's Home Theatre: McIntosh MX121, McIntosh MC601, McIntosh MC207, McIntosh MLD7020, OPPO BDP95, JVC DLA950, Stewert Screen Studio Tek 130G3, B&W 802D2, B&W HTM2D2, B&W DS8, Klipsch KL 525, Velodyne DD15, WireWorld & IsoTek Cables |
#313
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Hopefully not a stupid question... How does this unit differ from the MX160 Room Correction?
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Trevor's Home Theatre: McIntosh MX121, McIntosh MC601, McIntosh MC207, McIntosh MLD7020, OPPO BDP95, JVC DLA950, Stewert Screen Studio Tek 130G3, B&W 802D2, B&W HTM2D2, B&W DS8, Klipsch KL 525, Velodyne DD15, WireWorld & IsoTek Cables |
#314
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Trevor.......The most obvious thing is the MEN220 supports two channels. The Room Perfect built into the MX160 supports all the channels. The MEN220 also provides a two channel active crossover, and custom audio band frequency curve creation. The MEN220 can be installed between your preamp and amp or it can be installed in the tape or processor loop of a preamplifier. The latter installation technique allows the MEN220 to be completely bypassed at the user's discretion.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#315
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Dan,
I am finally thinking really hard about finding and integrating the MEN220 into my system. Since you are the official MEN220 expert, I wanted to ask you a couple of questions based on your history with the device. I have a pair of JL Audio F113's (My subwoofers can reproduce when you aren't paying attention ). In using the room correction, as well as the active crossover capability for two subs, how would you go about setting it up? I assume you'd feed the inputs from your preamplifier, with the High Level outputs to your amplifier as described on this post. With two subs, would you just feed the Right subwoofer via the "R" balanced output, and the Left subwoofer via the "L" balanced output (feeding only one XLR cable into each fathom into their left or "Mono" input? I assume then you'd run the JL's ARO software first to hopefully tame the subs, then you'd run the MEN220's software to learn your room. Following a hand-tuning using the active crossover settings that work for you? (As I think this all through, it gets a little confusing). So here are my questions: -Is this generally how you setup 2 subs (or is there a better way)? -When feeding the low pass out of the MEN220 to the subs, do I miss anything using the Mono input on each JL? -When feeding subs out of the MEN220, does this prevent me from using the processor loop on my C2300 (since the subs seem like they are married to the active crossover). Hopefully my rambling makes sense. I have always appreciated your insights. Quote:
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Main > Aurender N10/N100 / Antipodes K50 > Aries Cerat Kassandra mk2 - Playback Designs Dream DAC > D'agostino Momentum HD > PS Audio P10 > D'Agostino S250 > Sonus Faber Aida / REL S812 Six Pack + 4 JL Audio F113 Fathoms > B&W Signature HTM > Anthem Statement D2v > Mcintosh MC205 > Focal 1000 (side surrounds) > Bryston TIW (rear surrounds) Secondary System > Aurender N100h> AMR777SE > D'agostino Momentum Integrated > Wilson Sasha DAW |
#316
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Jason.......You will not lose anything by feeding the subwoofers independently from mono inputs on the subs. The cumulative of the left and right channel signals from the Low Pass output of the MEN220 will deliver all the low frequency signal information.
Yes, use the JL Audio ARO system to set the subs up properly before running the Room Perfect measurements. I got my best results by turning off the sub(s), then running Room Perfect measurements with the High-Pass set to Full Range and the Low -Pass set to Low Range. Once the MEN220 has built the Room Perfect algorithms for the main speakers then power up the subwoofers again and fine tune the Master volume on the subs to dial them in with the main speakers after making your desired crossover settings in the MEN220 menu. I got very good results crossing over my F113 at 36Hz using the Linkwitz-Riley curve. You can still use the processor loop on your C2300 preamplifier as long as the MEN220 is installed between the preamplifier outputs and the amplifier inputs. Anything used in the processor loop will still be influenced by the Room Perfect equalizer settings.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#317
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Thanks Dan for taking the time to answer my question.
Good to know I can still use the processor loop. If I use the MEN in the processor loop (with the Subs fed off the low-pass outputs), would the subs be disabled if i turned the "loop" off and wanted to hear the audio "unprocessed"? (Excuse the ignorance. This is in part due to my having never used {and not fully understanding} the processor loop) Quote:
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Main > Aurender N10/N100 / Antipodes K50 > Aries Cerat Kassandra mk2 - Playback Designs Dream DAC > D'agostino Momentum HD > PS Audio P10 > D'Agostino S250 > Sonus Faber Aida / REL S812 Six Pack + 4 JL Audio F113 Fathoms > B&W Signature HTM > Anthem Statement D2v > Mcintosh MC205 > Focal 1000 (side surrounds) > Bryston TIW (rear surrounds) Secondary System > Aurender N100h> AMR777SE > D'agostino Momentum Integrated > Wilson Sasha DAW |
#318
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Quote:
You can always just run the subwoofers directly from Output 1 or Output 2 on the C2300 if you want to have the MEN220 in the processor loop and don't want to lose the subwoofer outputs if you bypass the MEN220.
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#319
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The MEN220 offers a ton of functionality.
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Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server, Clearaudio Performance SE. Satisfy tonearm & Maestro Wood MM cartridge. Power: Shunyata Everest 8000, Sigma XC v2, Sigma NR v2, Block Audio PCs, Defender, ADDPowr Wizard Grounding: Shunyata Altaira CGS - 4 X Alpha CGS cables, Network : Supra Cat 8+, Twin (Nenon) Modified Buffalo GS2016 Switches, Keces P3 LPSU, Cables: Wireworld Platinum 8 USB, Wireworld Platinum 8 Speaker cables, 6M & 1M Tubulus Concentus ICs, Other:Two PSI Audio AVAA C20, Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack |
#320
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Dan,
That makes sense. I suppose if I got the MEN220, I'd probably just "commit" and keep it in the signal path. I'd want to take full advantage of the room correction as well as the active crossover. Thanks again! Quote:
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Main > Aurender N10/N100 / Antipodes K50 > Aries Cerat Kassandra mk2 - Playback Designs Dream DAC > D'agostino Momentum HD > PS Audio P10 > D'Agostino S250 > Sonus Faber Aida / REL S812 Six Pack + 4 JL Audio F113 Fathoms > B&W Signature HTM > Anthem Statement D2v > Mcintosh MC205 > Focal 1000 (side surrounds) > Bryston TIW (rear surrounds) Secondary System > Aurender N100h> AMR777SE > D'agostino Momentum Integrated > Wilson Sasha DAW |
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