#1
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What ever happened to HDCD?
I never had a significant amount of HDCD but I do recall they were generally very good sounding. Is HDCD dead altogether now?
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#2
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I had a few HDCD discs. One was Willie Nelson’s Teatro. It seemed to be about 4 or 5 dB louder than all my other CDs. Didn’t sound any better when I adjusted the volume.
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Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server, Clearaudio Performance SE. Satisfy tonearm & Maestro Wood MM cartridge. Power: Shunyata Everest 8000, Sigma XC v2, Sigma NR v2, Block Audio PCs, Defender, ADDPowr Wizard Grounding: Shunyata Altaira CGS - 4 X Alpha CGS cables, Network : Supra Cat 8+, Twin (Nenon) Modified Buffalo GS2016 Switches, Keces P3 LPSU, Cables: Wireworld Platinum 8 USB, Wireworld Platinum Eclipse 8 Speaker cables, 6M & 1M Tubulus Concentus ICs, Other:Two PSI Audio AVAA C20, Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack |
#3
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It's not dead if you still have some.
Is MS still licensing this format? Wonder how long the licensing was for? dunno. They bought it from Pacific Microsonics. To me, it just sound louder not fuller as Craig mentions. Some mention it also degraded the sound. I recall reading something Steve Hoffman wrote to Stephen Marsh (Stephen Marsh Mastering) and found it. It states: "Steve, ".....In the interest of giving the HDCD system the fairest of all shakes, I again today ran our completed Bad Co. master through it D to D in 2 additional configurations. First I took our fully prepped, edited 24 bit/44.1 out of converter aes through the HDCD box, outputting 16/44.1 HDCD. Second - I took our 24/88.2 captures and ran those through the box to 16/44.1 HDCD. In both instances we found the HDCD box to be at least as detrimental to the sound as we heard while A to D'ing with it Friday - if not more! In particular - I listened to the HDCD encoded material in un-decoded fashion so I could get a sense of what most consumers are going to hear. Even through the best converters in the room the results were very unsettling: Namely - there was a dip at around 8K that took all the snap and sparkle out of the snare and deflated the air out of the tracks. Engaging the decoding circuits and monitoring through the HDCD D to A's lent an overall 'generic' feel to the sound - it sounded fine, don't get me wrong - but it didn't sound special and was certainly not an improvement. I would strongly recommend that we keep going with our present tried and true pure signal processing and A to D configuration as I am now certain it provides the absolute highest fidelity available in a 16 bit CD format. When I play the Phil Collins, James Taylor and Byrds albums we have mastered I can't imagine degrading the sound just to get the HDCD. While I completely understand Audio Fidelity's desire for consistency in this regard across all their CD releases, moving forward with HDCD on future releases that you and I master together would run counter to the ethos of the Audio Fidelity brand and our personal mastering styles." Best, -Steph Stephen Marsh Mastering Hollywood, CA 90028" There were many, many CD's encoded with HDCD format but did not mention nor print the logo anywhere on the CD nor case. For example, a couple: ZZ Top - Eliminator Collectors Edition is HDCD. No HDCD logo on the package or CD. '97 Sony remaster of Dave Brubeck Time Out is encoded in HDCD but not listed anywhere. Stephen Stills - Manassas With the increase in loudness and comments from many others, I never bought into the format. Best Sir, Bob
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Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. Last edited by vintage_tube; 10-28-2017 at 12:20 AM. |
#4
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Bob.......
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Dan STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113 VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A |
#5
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Quote:
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#6
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Audio Fidelity eventually dropped HDCD from their remastering efforts -- and concentrates now on SACD hybrids (for the most part anyways - used to be a subscriber & dropped out -- so now pick and choose from their offerings).
Best Sir, Bob
__________________
Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters. Preamp:VAC Statement (on order) (Silver Flake) Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver) Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's. Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974). Vibration Control:TT on HRS M3X2-1921 shelf. Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit). Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock. Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers. Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts. Signal Cables:Nordost Odin XLR's on dCS DAC & Amps. Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC. Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital Ethernet Cable: WireWorld Platinum 1M Starlight® 8 Twinax Headphones:Vintage Koss Pro IV AA. RCM: Audio Desk PRO Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets. |
#7
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Thanks for the info Bob.
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#8
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Perhaps the most continuous source of HDCD recordings has been Reference Recordings.
I reviewed this RR album (as an LP) a short while back. It was released in 2015 and available as a hybrid SACD and stereo CD with HDCD. It is a great example of this symphony Quite a few albums in the Reference Recordings current catalog available in HDCD. |
#9
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always annoyed me that the Grateful Dead supported the format so heavily
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#10
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What ever happened to HDCD?
The Grateful Dead still release all their archival releases on HDCD. I use DB poweramp to rip the CDs.
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