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  #1  
Old 10-27-2017, 11:36 PM
PHC1 PHC1 is offline
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Default What ever happened to HDCD?

I never had a significant amount of HDCD but I do recall they were generally very good sounding. Is HDCD dead altogether now?
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  #2  
Old 10-27-2017, 11:38 PM
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I had a few HDCD discs. One was Willie Nelson’s Teatro. It seemed to be about 4 or 5 dB louder than all my other CDs. Didn’t sound any better when I adjusted the volume.
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  #3  
Old 10-28-2017, 12:18 AM
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It's not dead if you still have some.

Is MS still licensing this format? Wonder how long the licensing was for? dunno. They bought it from Pacific Microsonics.

To me, it just sound louder not fuller as Craig mentions. Some mention it also degraded the sound.

I recall reading something Steve Hoffman wrote to Stephen Marsh (Stephen Marsh Mastering) and found it. It states:

"Steve,

".....In the interest of giving the HDCD system the fairest of all shakes, I again today ran our completed Bad Co. master through it D to D in 2 additional configurations. First I took our fully prepped, edited 24 bit/44.1 out of converter aes through the HDCD box, outputting 16/44.1 HDCD. Second - I took our 24/88.2 captures and ran those through the box to 16/44.1 HDCD. In both instances we found the HDCD box to be at least as detrimental to the sound as we heard while A to D'ing with it Friday - if not more! In particular - I listened to the HDCD encoded material in un-decoded fashion so I could get a sense of what most consumers are going to hear. Even through the best converters in the room the results were very unsettling: Namely - there was a dip at around 8K that took all the snap and sparkle out of the snare and deflated the air out of the tracks. Engaging the decoding circuits and monitoring through the HDCD D to A's lent an overall 'generic' feel to the sound - it sounded fine, don't get me wrong - but it didn't sound special and was certainly not an improvement.

I would strongly recommend that we keep going with our present tried and true pure signal processing and A to D configuration as I am now certain it provides the absolute highest fidelity available in a 16 bit CD format. When I play the Phil Collins, James Taylor and Byrds albums we have mastered I can't imagine degrading the sound just to get the HDCD. While I completely understand Audio Fidelity's desire for consistency in this regard across all their CD releases, moving forward with HDCD on future releases that you and I master together would run counter to the ethos of the Audio Fidelity brand and our personal mastering styles."

Best,


-Steph


Stephen Marsh Mastering
Hollywood, CA 90028"

There were many, many CD's encoded with HDCD format but did not mention nor print the logo anywhere on the CD nor case. For example, a couple:

ZZ Top - Eliminator Collectors Edition is HDCD. No HDCD logo on the package or CD.
'97 Sony remaster of Dave Brubeck Time Out is encoded in HDCD but not listed anywhere.
Stephen Stills - Manassas

With the increase in loudness and comments from many others, I never bought into the format.

Best Sir,

Bob
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Last edited by vintage_tube; 10-28-2017 at 12:20 AM.
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  #4  
Old 10-28-2017, 12:24 AM
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Bob.......
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  #5  
Old 10-28-2017, 12:30 AM
PHC1 PHC1 is offline
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Quote:
Originally Posted by vintage_tube View Post
It's not dead if you still have some.

Is MS still licensing this format? Wonder how long the licensing was for? dunno. They bought it from Pacific Microsonics.

To me, it just sound louder not fuller as Craig mentions. Some mention it also degraded the sound.

I recall reading something Steve Hoffman wrote to Stephen Marsh (Stephen Marsh Mastering) and found it. It states:

"Steve,

".....In the interest of giving the HDCD system the fairest of all shakes, I again today ran our completed Bad Co. master through it D to D in 2 additional configurations. First I took our fully prepped, edited 24 bit/44.1 out of converter aes through the HDCD box, outputting 16/44.1 HDCD. Second - I took our 24/88.2 captures and ran those through the box to 16/44.1 HDCD. In both instances we found the HDCD box to be at least as detrimental to the sound as we heard while A to D'ing with it Friday - if not more! In particular - I listened to the HDCD encoded material in un-decoded fashion so I could get a sense of what most consumers are going to hear. Even through the best converters in the room the results were very unsettling: Namely - there was a dip at around 8K that took all the snap and sparkle out of the snare and deflated the air out of the tracks. Engaging the decoding circuits and monitoring through the HDCD D to A's lent an overall 'generic' feel to the sound - it sounded fine, don't get me wrong - but it didn't sound special and was certainly not an improvement.

I would strongly recommend that we keep going with our present tried and true pure signal processing and A to D configuration as I am now certain it provides the absolute highest fidelity available in a 16 bit CD format. When I play the Phil Collins, James Taylor and Byrds albums we have mastered I can't imagine degrading the sound just to get the HDCD. While I completely understand Audio Fidelity's desire for consistency in this regard across all their CD releases, moving forward with HDCD on future releases that you and I master together would run counter to the ethos of the Audio Fidelity brand and our personal mastering styles."

Best,


-Steph


Stephen Marsh Mastering
Hollywood, CA 90028"

There were many, many CD's encoded with HDCD format but did not mention nor print the logo anywhere on the CD nor case. For example, a couple:

ZZ Top - Eliminator Collectors Edition is HDCD. No HDCD logo on the package or CD.
'97 Sony remaster of Dave Brubeck Time Out is encoded in HDCD but not listed anywhere.
Stephen Stills - Manassas

With the increase in loudness and comments from many others, I never bought into the format.

Best Sir,

Bob
Interesting. I had mostly Jazz and some Blues but not many. Thanks for the info Bob.
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  #6  
Old 10-28-2017, 12:51 AM
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Audio Fidelity eventually dropped HDCD from their remastering efforts -- and concentrates now on SACD hybrids (for the most part anyways - used to be a subscriber & dropped out -- so now pick and choose from their offerings).

Best Sir,

Bob
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Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974).
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Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts.
Signal Cables:Nordost Odin XLR's on dCS DAC & Amps.
Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC.
Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital
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  #7  
Old 10-28-2017, 01:05 AM
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Thanks for the info Bob.
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  #8  
Old 10-28-2017, 02:33 AM
tima tima is offline
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Perhaps the most continuous source of HDCD recordings has been Reference Recordings.

I reviewed this RR album (as an LP) a short while back. It was released in 2015 and available as a hybrid SACD and stereo CD with HDCD. It is a great example of this symphony





Quite a few albums in the Reference Recordings current catalog available in HDCD.
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  #9  
Old 10-28-2017, 07:50 AM
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Quote:
Originally Posted by PHC1 View Post
I never had a significant amount of HDCD but I do recall they were generally very good sounding. Is HDCD dead altogether now?
always annoyed me that the Grateful Dead supported the format so heavily
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  #10  
Old 10-28-2017, 11:45 AM
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Default What ever happened to HDCD?

The Grateful Dead still release all their archival releases on HDCD. I use DB poweramp to rip the CDs.
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