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JBL Audio Legendary Performance |
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#1
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What is generally considered the BEST JBL Studio Monitor
I hope that I am not opening up a can of worms here, but I know we have a lot of JBL fans here.
I would like to limit this to the "standard" size... not the, really huge, 2 woofer models. Let em rip.. |
#2
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I put together a full 5.1 system with all LSR6238 monitors and a McIntosh MX135 for a friend. It's a kick ass system!
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Mike ~Your pet is your best investment~ Preamps/tuners:McIntosh C50, C46, MR88, MR73, C2200, C22ce, Cary SPL-98L Integrate amps:McIntosh MA6100, Denon PMA2000ivr Amps: McIntosh Mc602, Mc2000, Mc275 MK-V, Cary 805ae mono blocks. Speakers: JMLab Mezzo Utopia, Focal Twin6 BE, Tannoy Mini Autograph Headphones: Sennheiser HD800, Beyer T1, Denon D7000, Grado RS1i, Sony MDR-SA5000, MDR-Z1000, AKG K701, and many many more Digital Sources:Sony SCD-1 & SCD777es, CDP-XA7es, 2010 Mac Mini Music Server, Amarra Mini player, Musical Fidelity V-Link & M1 DAC, Apogee Mini-DAC & Duet 2 |
#3
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I'm ready...
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Ivan FLORIDA MX136, MC1.2KW(10) MC2KW(2), MCD1100, MS750(2) MVP881, C1000C/P/T, MPC1500, HT-2 SUBS(2) HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) JL GOTHAM v2 SUBS(2) SILENZIO MUSIC SERVER, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" MOTORIZED SCREEN, CINEMA-TECH SEATING, WW PLATINUM CABLES Reference System: ACCUPHASE A300 AMPS, C3900 PRE-AMP, DP1000 CD/SACD TRANSPORT, DC1000 DIGITAL PROCESSOR, DG-68 DIGITAL EQUALIZER, T1200 FM STEREO TUNER, PS1230 POWER SUPPLY, HRS-SXR CUSTOM RACK w/ M3X SHELVES, TAD REFERENCE ONE MK2 LOUDSPEAKERS, WW PLATINUM CABLES CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MR88, MVP881, MCD1100, MDA1000, C1000C/P/T, MPC1500, ESOTERIC K-01X 30th ANNIVERSARY (BLACK) SACD/CD PLAYER, G02-X CLOCK, HT3F(2) XRT2K, XCS2K, XR27(2) JL GOTHAM v2 SUBS(2) JL FATHOM F113v2 SUBS(4) SOUND ANCHOR STANDS(2) KALEIDESCAPE STRATO & TERRA SERVERS 80-TB, LUMAGEN RADIANCE SCALER, SONY VPH-G90U 4K PROJECTOR, STEWART 120" SCREEN, SONUS FABER STRADIVARI, SILENZIO MUSIC SERVER, FORTRESS SEATING, WW PLATINUM CABLES Analog Rig: CLEARAUDIO INNOVATION WOOD, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER STATEMENT CART, HRS-MXR REFERENCE RACK-GLOSS BLACK w/ M3X SHELVES, AESTHETIX RHEA SIG PHONO-PRE, BRYSTON BHA-1 HEADPHONE AMP, WW PLATINUM CABLES Reference System: BURMESTER 911MK3 AMP(3), 088 PRE-AMP, 089 CD PLAYER, 100 PHONO PRE-AMP, 948 POWER CONDITIONER, ACCUPHASE DG-68 VOICING EQUALIZER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, GRANDIOSO P1X/D1X STACK, G1X RUBIDIUM MASTER CLOCK, N05 NETWORK PLAYER, SILENZIO MUSIC SERVER, HRS-SXR CUSTOM RACK w/ M3X SHELVES, SONUS FABER AIDA SPEAKERS, JL FATHOM F113v2 SUBS(2) SOUND ANCHOR STANDS(2) WW PLATINUM CABLES Library System: GRANDIOSO M1 MONOBLOCK AMPS, C1 LINESTAGE PRE-AMP, K1X CD/SACD PLAYER, G1 MASTER RUBIDIUM CLOCK, E02 PHONO-PRE, SILENZIO MUSIC SERVER, AERIAL ACOUSTICS 20T V2, AERIAL SW12 SUBS(2), CANTON REF K1’s, VPI HRX TT w/ SDS POWER SUPPLY, ORTOFON CADENZA BLACK CART, KLAUDIO RCM, SHUNYATA DENALI 6000/S v2, SHUNYATA OMEGA QR’s, WW PLATINUM CABLES Esoteric/Bryston System: ESOTERIC C02-X PRE-AMP, P-02X TRANSPORT, D02-X DAC, G02-X CLOCK, BRYSTON 28B3 CUBED MONOBLOCK AMPS(4), BRYSTON BHA-1 HEADPHONE AMP, SHUNYATA DENALI 6000/S v2(2) EVEREST 8000 POWER CONDITIONER(2) ALTAIRA CG & SG HUBS, AMR-DP777-SE DAC, SILENZIO MUSIC SERVER, TAD REFERENCE ONE MK2 LOUDSPEAKERS, QUADRASPIRE RACK, WW PLATINUM CABLES Accuphase/Canton System: ACCUPHASE E800 INTEGRATED, DP570 CD/SACD PLAYER, T1200 FM STEREO TUNER, DG-68 VOICING EQUALIZER, PS530 POWER SUPPLY, CANTON REF K3’s, CANTON REF K5’s, SILENZIO MUSIC SERVER, HRS MXR REFERENCE MAHOGHANY RACK w/ M3X2 SHELVES, WW GOLD CABLES |
#4
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Quote:
Behold: Alberto |
#5
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Quote:
Dave
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It's About The Music... Last edited by f1 fan; 02-18-2011 at 12:27 AM. |
#6
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Does anyone know what a nice pair of 4311's would be worth.
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#7
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Any love for the 4430?
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#8
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You can find them from time to time for well under $1K.
Alberto |
#9
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One more HUGE plus about the 4311, is that they were DESIGNED for close-field listening and placed being close to walls - because those are the normal conditions in a recording studio. Typically you have the speakers just a few feet away from the ears of the mixing engineer and the speakers themselves are often sitting on/near the console or suspended in air with some brackets.
Until I got "fancier" speakers with stands and all, my JBLs were almost always placed at a room boundary, near a wall (even inside a cabinet) and they sounded great to my unsophisticated ears. Sometimes I miss those simpler times - especially when I am crawling on the floor with a tape measure to make sure that my Sonus Fabers are aligned within a 1/8" and properly toed in. Progress? I am not so sure. Alberto |
#10
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I couldn't agree more Alberto....
Sometimes I just want to move home to my cabin, set a Fisher reciever on the floor, hook up a Dual TT, some JBL's, stack 5 records on the spindle and let em rip... |
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