Peter,
All u need is a camera that can do manual aperture setting. This way u mount the camera on a steady platform then let the big aperture longer exposure do the job. No flash.
Then the tube glow will come up nice & toasty
Regards,
Joe Ling
PS : BTW did u just mentioned that the LP2 is better than a SLP-05 ?
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Source 1 - Bergmann Sleipner + Benz Micro LP-S + ARC ref phono 10 (should have done this ages ago)
Source 2 - Avid Acutus SP reference + Thales Reference tone arm + Benz Micro LPS (DS Audio Master 1 broken tip repaired but cost me USD2k. Still having issues - channel imbalance - back to dealer. However, channel issues not withstanding, sounded very very nice. Need to get it back soonest)
Source 3 - DCS Vivaldi + Antelope reference clock or Cybershaft Op18 (not floating my boat so far)
Source 5 - ROON ROCK with Aurender W20 as NAS & 2 units of SOTM switch with 10M input (the new frontier but still cannot beat CD for now) - ROON endpoint - Vivaldi upsampler
Amplification - Naim Statement
Speakers - ProAc Carbon 8 + JL FM113 x2 (replacement purchased - Stella Utopia EVO but due to lockdown, could be a year's wait)
Purepower 2000 x 2 (&$@#% but
sounds nice)
Shunyata Denali X 2
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