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Old 01-12-2017, 10:02 PM
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jameslrock jameslrock is offline
Greetings from NC


 
Join Date: Dec 2011
Location: NC
Posts: 1,564
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A couple of considerations were made. I already had two Fathom F112s in the home theater (family room) so was familiar with JL Audio and their A.R.C. Also in the HT we learned about room nulls and how two subs balanced the room. I had one DB1 in the 2 channel room and one day I saw Ivan helping someone sell an unopened F113v2. The F113v2 is the new version that compensates for multiple room nulls (at least that is what I recall and am at the moment too preoccupied to look up the specifics and what the new calibration is called - look it up and you will see) so I bought it and immediately decided to order an additional one. Pricing was great (as we subscribers know) so I took the plunge including cabling and sound anchor stands. So yes with two subs now balancing the room and with the F113v2 software with more calibration points it turned out great. Now consider also that I use the MEN220 to handle the crossover and Barry Ober of Soundoctor fame lives not far away so I had the guy who was one of the engineers who was part of the design with JL Audio come to the house to set it all up. So yes I am very happy with the result but if I had added a second DB1 I likely would have been happy as well. I just beleive I took it up to another level when you consider all that occurred. The DB1 is an excellent musical sub and they integrate well with most any speaker system but especially with the B&W line. And it is a beautiful sub to look at too in the rosewood and the way the drivers catch the light and the silver ring. It is really handsome. It is now laying in wait for my next project. My wife asks if I will sell it as she would rather it not be in the corner of one of the guest rooms. I am really hesitant but I probably should and when the time comes I can always find another.
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Two Channel: McIntosh C2300 preamp, MC601 amps x2, MR88 tuner, MEN220; Esoteric K-03X; Aurender N100C 4TB; B&W 802D2 Diamonds, JL Audio F113V2 x 2 on Sound Anchor Sub Stands; VPI Classic Signature Piano Black, Ortofon Cadenza Black, VPI SDS, periphery ring, StillPoints center weight, Gingko Audio ClaraVu Dust Cover CT, KAB SpeedStrobe, Dr. Feickert Analogue Protractor; Sonos with W4S digital modification to W4S Remedy to Esoteric; W4S PS1 Linear Power unit for the 2x Remedy and Recovery w/ W4S PS1 Power Cord; Torus RM20; Wireworld Silver Series 7 Electra/Starlight/Eclipse cables and WW Platinum Power Cord for Amps and Platinum USB for Aurender; KLAUDIO RCM; Steve Blinn Designs extra wide three shelf rack; GIK Acoustics panels and bass traps, StillPoints Ultra Minis under all gear and Stillpoint Ultra SS under amps and speakers.
Home Theater 7.2: McIntosh MX150, MC452, MC207; B&W 803D2 Diamonds, HTM2 center, CWM7.3 surrounds; JLAudio F112 x2 subs; Panasonic TC-P65ZT60 65" Studio Master Plasma; Oppo 205; Crown FM Two Tuner; Sonos with W4S Remedy; Apple TV; Furman Elite 20 amp PFi x2; WW and AQ Cables/Cords; Salamander Synergy Four Bay Cabinet
Office 2ch with McIntosh vintage refurbished gear: McIntosh MC275V6 x2 tube amps; Klipsch Cornwall I vintage speakers (1982); AQ Dragonfly Red DAC/Jitterbug/cables; PS Audio Dectet Power Center; Mcintosh C28, MC2105, MR78 (with mod), MQ101, each with original walnut cabinet and panloc (1976), MCD7008 (1996), ML1C speakers (1976); Bang & Olufsen Beogram 4002 turntable (1976) with new SoundSmith SMMC20CL cartridge (2015); Salamander double rack
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