Quote:
Originally Posted by chessman
Congrats, Craig!! You made some very smart choices. And, I think Barry Ober’s system is ingenious. I also think that time domain resonance matters more than a table top flat frequency response. Did you happen to run a waterfall graph?
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Randy,
I was looking at waterfalls but honestly, don’t fully know how to interpret them other than to know that the decay times should be as uniform as possible across the audible frequency range. Before I did this, the decay in the low end was very long. Now the waterfall looks much more uniform across the range.
That is the extent of my knowledge (or not). 
All my final/fine tuning was by ear.
I only used REW to highlight where the issues were and to simulate my room and see what speaker and LP locations changes would do. It is a very useful capability of REW.
Craig
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Main Equipment: Kharma Elegance dB11-S, JL Audio F113v2 X 2, Block Audio Line & Mono SE Amplification, Bricasti M21 DAC, Antipodes Kala K-50 Server, Clearaudio Performance SE. Satisfy tonearm & Maestro Wood MM cartridge.
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Other:Two PSI Audio AVAA C20, Multiple GIK products, Stillpoint Apertures, Stillpoint Minis and Ultra SS, Three 20 Amp lines, Furutech GTX - Gold outlets, Adona Rack
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