David.......Very interesting. As stated, "using technology to mimic nature" is an exciting concept. It reminds me of Bob Carver's work with his preamplifiers where he employed his Sonic Holography circuits. His Sonic Holography concept was based on inter-aural crosstalk cancellation. Harry Pearson, The Absolute Sound founder and chairman, wrote a series of articles in the 70's on generating a sound stage with a stereo system, stating what you want is a sense of layered depth on a sound stage that extends behind the speakers and is wider than the speakers. His writings were a large influence on Bob's approach to designing Sonic Holography. Bob Carver's Sonic Holography designs date back to the early 1980's.
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Dan
STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
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