Pre/pro gear evolution is far from complete. The entire home theater experience is still rapidly developing, and will remain in a constant state of flux until the steady stream of advanced video scaling, auto room acoustics correction, number of channels required, and signal delivery reach a point of stabilizing. This doesn't even touch on the movie makers constant barrage of code and resolutiuon upgrading, and content control encryption. Until the dust settles, the pre/pro gear you buy today will begin to be obsolete on the drive home from the store.
If you want the best that is available today, then jump on board. If not, then stand on the side lines and watch everyone else enjoy what they are willing to commit to today. Nothing is forever, and a state of the art pre/pro's life is less than two years, tops! This is not new news.
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Dan
STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A
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