Bert told us a couple of anecdotes.
Like the circumstances in which he sometimes has to record orchestras.
Sometimes, you arrive, and the orchestra's waiting impatiently in the concert hall.
Then you have 30 minutes to set up the microphones, acoustic devices, and your own little surround system, somewhere in a small room.
It's sheer experience that steers you through such rough circumstances to still capture the qualities of the orchestra.
Very often, your reputation alone, is already enough to soothe the stress that ensembles often have when they are to record.
They only have limited time in that expensive recording studio, will they succeed?
And you enter, they relax and you see them thinking: Now everything will be alright!
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Stereo: Hegel H590, Grimm Audio MU1, Mola Mola Tambaqui, Burmester 948 - V3 & V6 racks, Vivid Audio G2 Giyas, REL Carbon Special (pair), Silent Angel Bonn N8 Ethernet Switch & Forester F1, Wireworld Platinum Eclipse IC and SE SC, Furutech Digiflux
AV: Hegel C-53, Marantz AV8802A, Oppo BDP-203EU, Pioneer Kuro 60", Vivid Audio C1 & V1w's, Wireworld Platinum Eclipse, SE & E
Second system (veranda): Halgorythme preamp and monoblocks, Burmester 061, Avalon Avatar, Sharkwire & Wireworld cables
Last edited by bart; 05-11-2019 at 01:53 PM.
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