Quote:
Originally Posted by GSOphile
Interesting perspective, Soundmig. Not trying to highjack this thread, but would be interesting to hear your perspective on orchestral recordings and how 'natural' or desired by you might be different (or not) from what most recording engineers are trying to achieve.
|
Not sure that I understand the question completely. Suffice it to say that "most" orchestral recordings sound too bright to me. I think that in an effort to gain transparency and detail (like the Conductor hears), many classical recordings are just too bright. My favorite example of a "classical" recording that I think is really well recorded and "not too bright" is the Sheffield Labs "Music for Winds and Percussion, a tale of two cities" of Mozart, Grieg and Husa compositions. The CD version (made from Analog session tapes) sounds "just right" to me and is wonderful on the F228Be's.