Quote:
Originally Posted by djcxxx
Saturday I drove to the local dealer who had a set of 20.7s set up for me. I had fully intended to make the purchase w/ a 10K deposit in the bank. They were using Classe amplifier and Ayre pre-amp w/ a server for their music and I brought some CDs and LPs but they don't demo LPs regularly and I forgot to ask. In any case after 2h listening I found myself rather perplexed. Overall the 20.7 delivered more than my 3.7s in every area (soundstage, bass, coherence, detail, air) but not so much more that I could honestly justify the purchase. I left rather deflated, but perhaps my expectations were unrealistic. I listened to music that I have known for more than 40 years on every system I've owned (Solti's Beethoven 3rd, Ansermet's Falla Tres Picos, and Lyontine Price's Blue Album of Puccini and Verdi arias, I have CDs and LPs). The strengths and flaws of these albums are second nature to me, so it was not a lack of familarity w/ the material. Their equipment was not "blank check" but neither is mine. So there you have it. Guess I'll keep listening to the 3.7s.
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I'd be cautious about drawing any conclusions about the sound without having heard your own discs!!!! 
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Myles Astor, Senior Editor., Positive-Feedback.com, Goldmund Telos 300 amplifier, Goldmund Mimesis 37S Nextgen preamplifier, Doshi EVO phono and tape stages; Zellaton Plural EVO speakers; VPI Vanquish Turntable, VPI 12-inch Fat Boy gimbal arm and SAT LM-12 arm; Lyra Atlas SL Lambda, Fuuga mk.2, vdh Colibri Master Signature cartridges; Technics 1506/FM heads; Various cables including TA, MIT, Kubala-Sosna, Skogrand, Viero L3 Equilibrio speaker cables, Audience, SRA Craz 3 rack, Isobase and OHIO Class XL+2.1 platforms.
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