View Single Post
  #25  
Old 07-02-2019, 01:58 PM
j3brow's Avatar
j3brow j3brow is online now
Member

 
Join Date: Apr 2009
Location: Baton Rouge, LA
Posts: 3,337
Default

Quote:
Originally Posted by eziggy View Post
Since starting this thread I made some changes and was able to try out a bunch of different AQ interconnects.

I replaced my MC452 with a Luxman 509X, and replaced the AQ Oak with Thunderbird Zero.

In terms of interconnects, based on recommendations I picked up Fire interconnects which I really liked. I was also able to get a pair of WEL interconnects at a great price and picked those up as well.

Figured it would be good to give my perspective on these cables since I had at one point Earth, Niagara, Fire, and WEL. A few caveats, the Niagaras and Fires were XLR the Earth and WEL RCA. Because of this I had to use my Marantz 8805 (native FLAC Tidal) as the source since it has both XLR and RCA. I noticed a few DB difference between RCA and XLR. As always, all this is system specific.

I would have to agree with everyone comments in this thread about the differences between these cables. Form my perspective the easiest way to describe the cables:

- Earth: Great soundstage, warm, not so crisp highs/vocals and less instrument separation, but had depth to the sound. Overall a great cable, has an analog sound to it. Vocals are less forward, more blended into instruments.
- Niagara: Smaller soundstage, very crisp highs yet smooth, less depth. Vocals more up front, almost in front of music. Great bass, but lacked fullness in the mids.
- Fire: Wider soundstage, very crisp highs (also smooth), a bit more depth, fuller mids. Good instrument separation. Vocals up front, more prominent.
- WEL: Amazing soundstage, all around crisp instruments/vocals, AMAZING instrument separation, very full sound and depth. Layering was more audible, vocals are more natural and realistically layered in with the instruments. Closest to analog out of any cable I have used.

Best way to put it, WEL is a combination of best things from Earth + Fire. First time I put them in and comparing to Fires I thought they were warm and I had lost clarity especially with vocals. As I listened to them more, it was obvious what I was hearing was more natural, realistic, but never losing any crispness or clarity across the entire spectrum. Instead of the vocals being front and center they were more distributed across the proper soundstage. Also heard instruments I hadn't paid attention to as much with the other cables.

I really like the Fires as well, I plan on using them for other parts of the system.

I recently ordered a Lumin D2 to try out, and will try to do a comparison between the Fires and WELs with the D2 as the source. I may reterminate the WELs to XLR at some point, if I can get over the ridiculous amount AQ is asking for the retermination.

I also want to try WireWorld Platinum 8's at some point to compare since I have heard good things.


I would be very interested in your comparison of AQ vs WW platinum 8 if you get the chance to hear the WW cables.
__________________

Preamp: McIntosh C1100T/C1100C, McIntosh MX180
Amp: McIntosh MC611 (2), MC601 (3), MI254
Digital: McIntosh D1100, McIntosh MCT450, Meridian 808v6, Aurender N20, Aurender ACS10, Oppo 203
Analog: McIntosh MT10, Hana Umami Red
Phono preamp: Simaudio Moon 610LP, 820S
Signal cables: WW Gold Eclipse 7 speaker cables; Shunyata Sigma v2 XLR (2); Sigma v1 XLR (2), Transparent Ref XL (MM2) XLR; WW Silver Eclipse 7 (4)
Digital cables: Shunyata Omega USB, Omega Ethernet, Sigma Ethernet; WW Platinum 7 Coax, AES/EBU
Switch: Innuos PhoenixNet
Power: Audioquest Niagara 7000, Audioquest 5000, Audioquest Dragon, Hurricane PC, Shunyata Alpha HC, AQ NRG Edison outlets, (8) 20 amp dedicated lines, 125 amp subpanel
Speakers: Wilson Sasha DAW, Dynaudio Contour 30, Dynaudio Contour 25C
Subs: REL s/812 (6), REL s/510 (3)
Accessories: HRS M3X2 shelf (MT10), Stillpoints Ultra II v2 w/ bases (21), Ultra SS (12), Mini (12), LPi v1
Sound treaments: Artnovion
Reply With Quote