Quote:
Originally Posted by TommyC
jdandy... I'm not using a sub at the moment. I'm afraid it'll screw up my 2 channel sound.
|
TommyC.......When I added the McIntosh XLS112 sub to the mix with the Cremona Auditors the entire sound stage grew in depth and width, and the bottom octave that is completely missing is now seamlessly added, giving the Auditors the authority of true full range speakers. I can tell you with certainty, you will not screw up your two channel performance. The improvement will knock your socks off. If I did not already own the XLS112, which was replaced in my main system by a JL Audio Fathom f113, I would have purchsed a Fathom f112 to go with the Auditors. Since I had the XLS112 just sitting around, I put it in service, and I am so glad I did. Wow! It blends perfectly, was easy to dial into the auditor's bottom end, and reproduces excellent deep bass performance, completely in harmony with the Auditors. I have the subwoofer set to 65 Hz, and there is zero localization. All the bass appears in the sound stage, perfectly focused, and solid. Trust me on this one. Take the leap of faith on a Fathom f112. You will wonder why you waited so long. 
__________________
Dan
STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A
|