[ylee]

Originally Posted by doggiehowser

It needs time to run in. The first time I powered it on, I almost unhooked it and put on the Audio Research back.

The soundstage felt narrower initially.

But it was engaging listening to the initial transients. The first pluck of the guitar or the first strike of the drums or pianos. I lost a lot of that with the ARC.

The imaging was also spot on beautiful. Instruments were much more pin point accurate. Hanging in the middle of the air between the speakers.

So I persisted. And eventually all that came back. The wide and deep soundstage. But just with that little bit more dynamics.

If you already have say the DirectStream or the BHK power amps you'll definitely hear a familial trait. That imaging and transient response seems inherent in the way their gear are voiced. A combination of Arnie and Paul and Bascom's efforts. So the Pre in that combination just builds on that synergy.

If you don't like the way the BHK power amp or the DS sounds, you may not like the Pre either.

Thanks for the additional info. The challenge with PS Audio components is there aren't many places that carry them where I can audition. From what I've read this preamp increases the sense of pace and rhythm and is a good value compared to a lot of competitors. The primary reason I'm interested in this amp along with units from Mark Levinson and Pass Labs is to play around with the voicing of my system. Others I mention are a lot more expensive. The BHK preamp on the other hand is inexpensive enough to experiment with. That's how I wound up with my amp, which turned out to be amazingly good.