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Old 09-22-2011, 09:53 PM
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Join Date: Apr 2009
Location: North Central Florida
Posts: 52,951
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Quote:
Originally Posted by PHC1 View Post
Just to be clear, I am not talking about depth of soundstage, it's the illusion of the musical instruments/vocalists being "fleshed out" on the stage and the feeling that they occupy the space on your soundstage in three dimensional way. You can reach out and touch them but also feel their presence and can almost appreciate the "physical space" and dimension they occupy in the room, recording dependent of course. SS is great at depth of instrument separation but it is almost always much more two dimensional and cardboard like. Shindo my friend, rams this home like no other gear I've heard before. Even the ARC reference stack I have now doesn't quite match it. No SS I've owned before came even close. Perhaps I've never experienced the SS you are talking about?
Serge.......This is one of the reasons why I love this hobby so much. The variables are infinite, the possibilities limited only by ones imagination, and opinions run the entire color spectrum of sunlight.
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STUDIO - McIntosh C1000C/P, MC2301 (2), MR88, Aurender N10, Esoteric K-01X, Shunyata Sigma spdif digital cable, Sonos Connect, PurePower 2000, Stillpoints, Furutech Flux 50, Michell Gyro SE, Michell HR Power Supply, SME 309, Ortofon Cadenza Black, Wireworld, Sonus faber Amati Anniversario
LIVING ROOM - McIntosh C2300, MC75 (2), MR85, Magnum Dynalab 205, Simaudio MOON Neo 260D-T, Schiit Audio Yggdrasil, Aurender N100H, Shunyata Sigma USB cable, Micro Seiki DD40, Ortofon Cadenza Blue, Nakamichi BX-300, Sony 60ES DAT, PS Audio P10, Furutech Flux 50, Sonos Connect, Stillpoints, Wireworld, Kimber, PMC EB1i, JL Audio f113
VINTAGE - McIntosh MA230, Tandberg 3011A tuner, Olive 04HD, Sony DTC-59ES DAT, McIntosh 4300V, JBL 4312A
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