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Old 07-25-2017, 08:19 AM
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vintage_tube vintage_tube is offline
Just Pure Lucky



 
Join Date: Apr 2009
Location: East Coast
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Quote:
Originally Posted by Jerome W View Post
As I said I lost completely my interest in McIntosh tube preamps. They are just too far from the other manufacturers.
The C1100 may be wonderful though. They might have learned finally how to make a stunning tube preamp. It just took too much time to keep my curiosity lighted.
Historically speaking and you probably recall the shootout I did between the C500T and my friends ARC REF 3 a number of years back. In the end, the C500T took honors.

Fast forward a few years after that, I sold the C500T combo and purchased a highly raved VAC Signature MK IIa. After a month or two & the dust was settling on the unit (newness wore off is what I'm alluding to), everyday I played digital or analog, in the back of my small cranium, I knew something wasn't right. It sounded good; but, not as great as with the C500T. I lived with that thought for 4 years of more. It got to the point, with my love for good music and micro details, dynamics, It became more of a "okay, I'll turn the rig on, because I've got this beast of a system in my living room, may as well use it." I wasn't happy and content as one would expect.

I began looking around for a used C500T or a 1000T series. Then as if the late Frank McIntosh heard my internal screams, the C1100 came to market.

Enough said. The VAC went out, the C1100 came in. I'm back in audio heaven -- everything I missed with the C500T was back but better with the updated & current C1100 combo.

I can't explain it other than the fact when the VAC was connected, the balanced symmetry I was expecting and in which it received very high audio press praise was AWOL.

So, for me and my experience, I'll never try another brand preamp with McIntosh MC2301's. It's just too expensive & I don't want to relive the feelings I had when the VAC was in the system. Too painful.

Best Sir,

Bob
__________________
Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters.
Preamp:VAC Statement (on order) (Silver Flake)
Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver)
Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's.
Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974).
Vibration Control:TT on HRS M3X2-1921 shelf.
Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit).
Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock.
Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable
Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers.
Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts.
Signal Cables:Nordost Odin XLR's on dCS DAC & Amps.
Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC.
Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital
Ethernet Cable: WireWorld Platinum 1M StarlightŪ 8 Twinax
Headphones:Vintage Koss Pro IV AA.
RCM: Audio Desk PRO
Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets.

Last edited by vintage_tube; 07-25-2017 at 08:23 AM.