View Single Post
  #21  
Old 10-04-2017, 09:17 AM
vintage_tube's Avatar
vintage_tube vintage_tube is online now
Just Pure Lucky



 
Join Date: Apr 2009
Location: East Coast
Posts: 8,834
Default

Quote:
Originally Posted by tima View Post
The Wilson diodes + spikes and Stillpoints work differently. Diodes+spikes aim to drain energy from the speaker cabinet into the floor. Sillpoints intends to convert speaker cabinet energy into heat.

I'm sceptical of the overall effectiveness of the UltraSS under an Alexia and reasonably confident you will not get the benefit from them that you could if you put UltraSS under, say, an electronic component with a power supply or transformer. The UltraSS is too small for the Alexia, imo. The sound will probably change but you may not get what you think you're paying for.

The Alexias were designed for use with the diodes+spikes they come with. Neither are the Stillpoints a universal product.

Stillpoints can be effective when used appropriately. They are not "voodoo". I found the UltraSS work very well under heavy amplifiers.
Excellent posts and as you have posted, exactly what I had been told by my dealer & several within Wilson Audio .

"X" material construction of the Alexia and overall design & sound produced will be greatly impacted to something less than factory intended.

The intent of the diodes and spikes is as you say drain the main module of resonances rather than store it inside itself.

I'm all for improving the sound as many audiophiles; but not at the expense of what I paid dearly for. Accessories such as the Stillpoints for my speakers is not on my bucket list.

Best Sirs,

Bob
__________________
Amps:VAC 450iQ Monos in Silver Flake on HRS M3X2-1921's, HRS G7 Footers/G-Links & Sound Anchor Conecoasters.
Preamp:VAC Statement (on order) (Silver Flake)
Digital Source: dCS Rossini CD/SACD Transport, Vivaldi APEX DAC, Upsampler Plus & matching Clock (Silver)
Analogue Preamp:VAC Renaissance SE Phono stage in Silver Flake with XLR Output Option & with Nordost Valhalla XLR's.
Analogue Sources:SME 20/2 w/SME V arm & Nordost Odin 2 Tone Arm Cable, Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Akai RC-17 cabled remote (original owner since 1974).
Vibration Control:TT on HRS M3X2-1921 shelf.
Speakers:Wilson Audio Alexia V (on order in Ferrari Argento Silver/Parchment grills sitting on Acoustic Diode Kit).
Power Cables:4 Nordost Odin Supreme Reference on amps, preamp & DAC. Ansuz Acoustics C2 on Transport & Clock.
Power Distribution:Ansuz Mainz D3 Distributor & Ansuz Mainz C2 1M Power Cable
Power Outlets:Furutech GTX-D NCF (R) duplex outlet, GTX Wall Plate & Duplex Cover (x2) on dedicated, same panel phase, 20A breakers.
Speaker Cables:2M Nordost Odin 2 Supreme Reference on Nordost Sort Lifts.
Signal Cables:Nordost Odin XLR's on dCS DAC & Amps.
Digital Cables: Nordost Odin 2's, 110-ohm AES/EBU on dCS Transport to DAC.
Clock Cables:5 each 75 ohm 1.25M Nordost Valhalla BNC/BNC Digital
Ethernet Cable: WireWorld Platinum 1M StarlightŪ 8 Twinax
Headphones:Vintage Koss Pro IV AA.
RCM: Audio Desk PRO
Tube Test Gear:Mint late '60's/calibrated Heathkit TT-1A, MaxiMatcher Power Amp & Preamp & Space Tech Labs ATT-3.02 tube test sets.
Reply With Quote