Quote:
Originally Posted by audiohippo
Found this on an album on Sound Liaisons website:
All the music was recorded in 96khz/24bit PCM and mixed and mastered in 96khz/24bit PCM.
There are however two exceptions; Andre Heuvelman's 'After Silence' was recorded in 88.2kHz/24bit and is, for practical reasons, presented here in an upsampled version.
Tony Overwater and Bert van den Brink's 'Impromptu' was recorded simultaneously to two different recorders in PCM and DSD.
This is what we need for all digital downloads.
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Here's one more exception regarding Sound Liaison's latest release:
"
Carmen Gomes Sings the Blues"
Original recording is in DXD 352.8kHz and all other formats are conversions.
This is a truly exceptional recording and comes highly recommended.
