View Single Post
  #10  
Old 01-23-2018, 12:10 AM
j3brow's Avatar
j3brow j3brow is offline
Member

 
Join Date: Apr 2009
Location: Baton Rouge, LA
Posts: 3,336
Default

David,

MP1100 —> hi res digital out —-> D1100 —-> amps is an interesting thought. I agree with Craig, would be best to try out the MP1100 first. No doubt, the MP1100 will do a better job than the phono in your C2300 but will converting that analog signal into 24/96 or 192 lose the analog “sound”? Only a home audition can answer that question. I do seem to recall Ron C somewhere talking about this very scenario, MP1100 + D1100. Maybe send him an email and get his take. Betcha he has listened to this combination.
__________________

Preamp: McIntosh C1100T/C1100C, McIntosh MX180
Amp: McIntosh MC611 (2), MC601 (3), MI254
Digital: McIntosh D1100, McIntosh MCT450, Meridian 808v6, Aurender N20, Aurender ACS10, Oppo 203
Analog: McIntosh MT10, Hana Umami Red
Phono preamp: Simaudio Moon 610LP, 820S
Signal cables: WW Gold Eclipse 7 speaker cables; Shunyata Sigma v2 XLR (2); Sigma v1 XLR (2), Transparent Ref XL (MM2) XLR; WW Silver Eclipse 7 (4)
Digital cables: Shunyata Omega USB, Omega Ethernet, Sigma Ethernet; WW Platinum 7 Coax, AES/EBU
Switch: Innuos PhoenixNet
Power: Audioquest Niagara 7000, Audioquest 5000, Audioquest Dragon, Hurricane PC, Shunyata Alpha HC, AQ NRG Edison outlets, (8) 20 amp dedicated lines, 125 amp subpanel
Speakers: Wilson Sasha DAW, Dynaudio Contour 30, Dynaudio Contour 25C
Subs: REL s/812 (6), REL s/510 (3)
Accessories: HRS M3X2 shelf (MT10), Stillpoints Ultra II v2 w/ bases (21), Ultra SS (12), Mini (12), LPi v1
Sound treaments: Artnovion
Reply With Quote