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Lam's brand new flagship. Designed to match the ML3 Signature.
New Page 4 Edit: Turns out it is not "brand new." However, it is still relatively new
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McIntosh MVP871. Luxman C-383, M-375. Sonus Faber Guarneri Memento. Oyaide R1, WPC-Z, P/C-004, MTB-6. Siltech Ruby Hill II. HiFi-Tuning fuses Last edited by TommyC; 12-17-2009 at 02:30 AM. |
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Quote:
My current LL2D is also a dual volume design. The dual volume itself is a non-issue for me, it actually comes in handy every once in a great while when the recorded music is not exactly centered and you can "walk" the center image to center it with the dual volume controls. The bigger issue is if one can live without the remote control rather than there are two knobs to adjust. I have no problems with no remote control, I am not that lazy and I've owned plenty of gear before without remotes so it is nothing new to me. ![]() As far as balanced and Lamm, Vladimir is not a big fan of balanced although some balanced inputs appear on some gear for convinience sake. It has to do with the associated circuitry that needs to be in the signal path for balanced and conversion of single ended to balanced and Vladimir being a purist. My Lamm M1.2s have both and I've used both with various preamps. Obviously in combination with my Lamm LL2D, I have to use single ended and it sounds fantastic. I actually have less issues with LL2D in combination with the EAR324P phono stage with single ended while the balanced run to Ayre KX-R is much noisier for some reason. I am not sure if it's the Ayre or the EAR phono that is at fault with the balanced scheme.. ![]() If you are going to spend $42k on Vladimir's LL1, I am sure he will take all the time you need to explain it to you why he doesn't like balanced. I've actually spoken to and emailed Vladimir on a few occassions and he is very responsive and helpful.
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System 7.1: Wilson Sasha/Mezzo/Watch surrounds D'Agostino Momentum x3 amps Bryston 4B SST2 x2 amps Krell S1200U pre/pro Oppo Blu Sony Blu changer McIntosh MS300 music server EAR/Yoshino Acute III tubed CDP Transparent Ultra cabling JL Audio F212 Sub Lumagen video processor JVC RS-35U projector Stewart Screen |
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Oh no, not more Critical Mass System racks
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Amps: MC2301 tube mono's/dedicated 20A breakers. Preamp: C500C/C500T Digital Source: MCD1100 CD/SACD Analogue Sources: SME 20/2 w/SME V arm and Palo Santos Presentation Cartridge & Akai GX-400D Reel-to-Reel w/relapped heads by JRF Magnetic Sciences. Vibration Control: Nordost "TC" Sort Kones under CD/SACD & C500 and "AC" under amps. Shakti stones on amps. Speakers: Sonus Faber Stradivari Power Isolation: Isoclean PT-3030G III 3KVA Isolation Transformer w/Isoclean Super Focus In/Out Cables. Power Bar: Isoclean ICP 206 Non-Filtered Power Bar. Power Cables: Wireworld Platinum Electra on amps, preamp, CD/SACD. Power Outlets: Isoclean ICP-003 Power Wall Socket. Speaker Cables: Wireworld Platinum Eclipse Signal Cables: WireWorld Platinum Eclipse XLR's on MCD500 & C500T to MC2301's. Headphones: Sennheiser HD-650's and Koss Pro IV AA. Tube Test Gear: Mint late '60's/calibrated Heathkit TT-1A & current SOTA MaxiMatcher tube test sets. |
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Viper, I find the synergy between the LL2D and M1.2s to be simply magical. There are some things my Ayre KX-R preamp does better, specifically it is a bit more resolving and transparent overall with better frequency extremes but the LL2D simply makes you forget everything related to HI-FI and just sit there totally immersed in music. It is also able to recreate the space and depth a bit better along with better image density, a trait of tube regulated power supplies from what I understand. That's not to say the Ayre KX-R is too analytical or hyper detailed, it is not, it is one of the very best SS preamps I have experienced to date. The tubed LL2D gives up a bit here and there but it never leaves you wanting more since it makes the music sound even more organic, wholesome, rich in harmonic structure and texture and ultimately very enjoyable and pleasing to the ear.
The ARC Reference 5 is no doubt a great preamp but I'd suggest you try to audition the LL2.1 or even the older LL2D with your M1.2s to see if the synergy of Lamm/Lamm strikes a chord with you.
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System 7.1: Wilson Sasha/Mezzo/Watch surrounds D'Agostino Momentum x3 amps Bryston 4B SST2 x2 amps Krell S1200U pre/pro Oppo Blu Sony Blu changer McIntosh MS300 music server EAR/Yoshino Acute III tubed CDP Transparent Ultra cabling JL Audio F212 Sub Lumagen video processor JVC RS-35U projector Stewart Screen |
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