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While there are quite a few reviews out there of the Lamm M1.2s, this is my favorite. I thought D. Olsher did a great job reviewing them without resorting to being too wax-poetic. To the point and with a good background information on the hybrid topology and design as well as what it is that makes these amps special.
http://www.lammindustries.com/review...dec%202008.pdf
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System 7.1: Wilson Sasha/Mezzo/Watch surrounds D'Agostino Momentum x3 amps Bryston 4B SST2 x2 amps Krell S1200U pre/pro Oppo Blu Sony Blu changer McIntosh MS300 music server EAR/Yoshino Acute III tubed CDP Transparent Ultra cabling JL Audio F212 Sub Lumagen video processor JVC RS-35U projector Stewart Screen |
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There can never be one universal "Reference" amp as the market is constantly evolving in high end audio. System synergy is an elusive and often a difficult thing to nail down. I don't think we really know and understand any of the components we own fully. Just when one thinks he has the handle on things, swap out the preamp or the source and things will change in a hurry. Some of the results will be surprising and counterintuitive.
Pick an amp to drive your speakers well and if the things still don't work out you'll wind up blaming the speakers or the amp. Throw a different preamp in to the mix and suddenly there is better synergy, so it wasn't the amp and speakers after all. It can be frustrating or fun, depending on how you look at it. So a "reference" amp is an elusive term as well. It could very well be "reference" for some and not synergize very well for others. Having said that, I still think that an amp/speaker combo is the framework of the whole system. It anchors the system around some point around which other components can be added that compliment each other and the rest of the system. The best preamp or a source in the world can't shine in one's system if the speakers don't work well in your room or your amp can't bring out the very best of your speakers, on the other hand, you will not tap into the performance capabilities of your amp and speakers if your preamp is veiled or the source is only so so. So is the Lamm M1.2 a Reference? It is a Reference in the eyes of its creator as far as his hybrid designs go, I guess it is also a Reference in the eyes of many a reviewer and it seems to have hit the sweet spot in my system as well. One thing for sure, I have not heard so many positive attributes from any one single amp so far (ok, two since they are monoblocks .) So it is a Reference for me as well, at least for the time being.
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System 7.1: Wilson Sasha/Mezzo/Watch surrounds D'Agostino Momentum x3 amps Bryston 4B SST2 x2 amps Krell S1200U pre/pro Oppo Blu Sony Blu changer McIntosh MS300 music server EAR/Yoshino Acute III tubed CDP Transparent Ultra cabling JL Audio F212 Sub Lumagen video processor JVC RS-35U projector Stewart Screen |
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Serge, I found this and other reviews at the Lamm website. I just reread this one and agree, it is unusually clear and free of the hyperbole reviewers often use.
The point that really interests me is the Lamms detailed, but natural tonality that, because of its ability to effectively couple with practically any speaker load impedance, it can deliver equally well to all frequencies, under all practical operating conditions. No roll off at one point or another that can change an amplifier's tonal characteristics with a given speaker. (come to think of it, sounds like mcintosh...!) I know you are aware of some of the inherent difficulties in bi-amping which, with my system, I was willing to work to overcome, to realize some of the benefits described in this review of a hybrid power amp. It seems to provide the best of both worlds! ...and pure Class A all the way... It looks like you have made your preamp decision, since you've changed your signature lineup. Are you going to post your comparision findings? Ted.
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Main - MC501s, C500t (Genalex Gold Lion 12AX7 tubes), MCD500, MS750, MEN220, B&W N802, PS Audio PPP & Duet, Wireworld PC's, Audioquest Colorado, Jaguar IC's & Rockefeller SC's, Symposium Tungsten Rollerblocks, Cable Isolators. Fam Room - Pioneer Pro FHD1, Denon 2808ci, DVD1800BD, B&W CMC, CM1, CCM817, ASW610XP, WM2. Rec Room - Pioneer 5080HD, Denon 2808ci, Toshiba HDXA3, Oppo DV981, Thorens TD126, B&W M803S2, CMC, M805, M804, ASW610XP, Thompson Vocal Eliminator. |
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System 7.1: Wilson Sasha/Mezzo/Watch surrounds D'Agostino Momentum x3 amps Bryston 4B SST2 x2 amps Krell S1200U pre/pro Oppo Blu Sony Blu changer McIntosh MS300 music server EAR/Yoshino Acute III tubed CDP Transparent Ultra cabling JL Audio F212 Sub Lumagen video processor JVC RS-35U projector Stewart Screen |
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The term reference has a least two meanings in Audio.
For a reviewer, his Reference system does not have to be of the highest quality or best available gear. It is a collection of gear that he is very familiar with and against which he can make valid comparisons. Does the product under review do this or that better, worse or different than his reference system. Sometimes these reviewers like a review product so much that the product is introduced into their reference system. For manufacturers a Reference Product is usually an accumulation of their best efforts in a given area. Audio Research has their Reference line, so does MBL and McItnosh's would appear to be the 2K system.
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AMP's: D'Agostino Momentum's Pre Amp: Mcintosh C-1000 & C-1000P ![]() Sources: McIntosh MCD-1100 & MS-300, Olive 4HD, SonoS, Pro-Ject 6 PerspeX Speakers: MBL 111F Cables: Transparent Ultra MM2 & Reference MM2 & Powerlink MM2x |
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Main - MC501s, C500t (Genalex Gold Lion 12AX7 tubes), MCD500, MS750, MEN220, B&W N802, PS Audio PPP & Duet, Wireworld PC's, Audioquest Colorado, Jaguar IC's & Rockefeller SC's, Symposium Tungsten Rollerblocks, Cable Isolators. Fam Room - Pioneer Pro FHD1, Denon 2808ci, DVD1800BD, B&W CMC, CM1, CCM817, ASW610XP, WM2. Rec Room - Pioneer 5080HD, Denon 2808ci, Toshiba HDXA3, Oppo DV981, Thorens TD126, B&W M803S2, CMC, M805, M804, ASW610XP, Thompson Vocal Eliminator. |
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FLORIDA MX136, C15, MC206, MC162(2) MC402, MC1.2KW(12) MC2KW(2) MQ109B, MR88, MS300(2) MCD301, MCD1100, MS750(2) MVP881, MCD1000, MDA1000, C1000C, C1000P/T, MPC1500, HT3F(2) WS350(2) XRT2K, XCS2K, XR27(2) XCS350(2) R778, OPPO-BDP95, GRACE M902 AMP, PS AUDIO PPP(8) PUREPOWER 1050(4) RGPC 600(8) RGPC 1200(20) RGPC POLE PIG(4) JL GOTHAM SUBS(2) LUMAGEN RADIANCE SCALER, SONY VPH-G90U PROJECTOR, SVS LIFT, STEWART STUDIOTEK 110" MOTORIZED SCREEN, ASC ACOUSTIC PANELS & BASS TRAPS, CINEMA-TECH SEATING, SONOS ZP90-W4S MOD, SYMPOSIUM ROLLERBLOCKS, SENNHEISER HD800, GOLD LION TUBES, WIREWORLD GOLD ECLIPSE CABLES & SILVER ELECTRA PC'S View "The Room" here: http://www.audioaficionado.org/membe...9-dsc-1198.jpg - - - http://www.audioaficionado.org/attac...d-dsc_1208.jpg CAPE COD MX150, MC501(2) MC1.2KW(10) MC2301(2) MQ109B, MR88, MS750(2) MVP881, MEN220, MCD1100, MDA1000, C1000C, C1000P/T, MPC1500, HT3F(2) XRT2K, XCS2K, XR27(2) CAMBRIDGE NP30, ELITE BDP-09FD, BENCHMARK DAC-1 HDR, BRYSTON BDA-1 DAC, OPPO-BDP95, SPL PHONITOR, PS AUDIO PPP(10) PUREPOWER 1050(4) RGPC 1200(15) JL GOTHAM SUBS(2) JL FATHOM F113(2) SOUND ANCHOR SUB STANDS(2) LUMAGEN RADIANCE SCALER, SONY VPH-G90U PROJECTOR, STEWART STUDIOTEK 120" SCREEN, SONUS FABER STRADIVARI, URC MX-6000 REMOTE, NAKAMICHI DRAGON, TEAC X2000R R2R, SONOS ZP90-W4S MOD, ASC ACOUSTIC PANELS & BASS TRAPS, FORTRESS SEATING, HRS DAMPING PLATES & NIMBUS COUPLERS, SYMPOSIUM ROLLERBLOCKS, ULTRASONE ED-10, GOLD LIONS, WIREWORLD GOLD & PLATINUM ECLIPSE CABLES & SILVER ELECTRA PC'S View "The 2-Channel Room & Theater" here: http://www.audioaficionado.org/attac...0&d=1327845807 - - - http://www.audioaficionado.org/attac...d-dsc_3310.jpg http://www.audioaficionado.org/attac...r-dsc_0941.jpg - - - http://www.audioaficionado.org/membe...0-dsc-0956.jpg Analog Rig: CLEARAUDIO INNOVATION WOOD TT, CA OUTER RING & CLAMP, UNIVERSAL ARM w/ Da VINCI' CART, 2nd UNIVERSAL ARM w/ GOLDFINGER CART, CLEARAUDIO DOUBLE SMART MATRIX CLEANER, HRS-MXR CUSTOM 4V RACK-GLOSS BLACK w/ M3X 1921 SHELVES, AESTHETIX RHEA SIGNATURE PHONO-PRE, PS AUDIO PPP, RGPC 1200, WIREWORLD SILVER ECLIPSE CABLES & SILVER ELECTRA PC'S View "The Analog Rig" here: http://www.audioaficionado.org/attac...e-dsc_2528.jpg - - - http://www.audioaficionado.org/attac...d-dsc_3313.jpg Game Room: BRYSTON BP-26 PRE-AMP, BDA-1 DAC, BDP-1 MEDIA PLAYER, BCD-1 CD PLAYER, MPS-2 POWER SUPPLY, 28B-SST2 MONOBLOCKS, MAGNUM DYNALAB MD-105T TUNER, OLIVE 04HD, CAMBRIDGE UNIVERSAL BR PLAYER, KRELL KID, RGPC 1200(2) PS AUDIO PPP(2) SONUS FABER AMATI FUTURA'S IN RED FINISH, JL AUDIO IWS-SYS-2, SALAMANDER SYNERGY TRIPLE 30 RACK, SONY KDL-52XBR9, URC MX-980 REMOTE, WIREWORLD SILVER ECLIPSE CABLES & SILVER ELECTRA PC'S View "The Game Room" here: http://www.audioaficionado.org/attac...e-dsc_2459.jpg- - -http://www.audioaficionado.org/attac...s-dsc_2736.jpg New Reference System: BURMESTER 911 MK3 AMP(2), 089 CD PLAYER, 088 PRE-AMP, 100 PHONO PRE-AMP LOADED, 111 MUSIC SERVER, 948 POWER CONDITIONER, AVID ACUTUS REFERENCE SP TT, GRAHAM PHANTOM II SUPREME ARM, BENZ MICRO LP-S CART, DYNAVECTOR XV-1S CART, HRS-SXR CUSTOM 2V-3V-2V RACK w/ M3X 1921 SHELVES, WIREWORLD PLATINUM CABLES & PC'S, SONUS FABER AIDA SPEAKERS RED
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Exactly as with the 2K's , and the MBL's,
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AMP's: D'Agostino Momentum's Pre Amp: Mcintosh C-1000 & C-1000P ![]() Sources: McIntosh MCD-1100 & MS-300, Olive 4HD, SonoS, Pro-Ject 6 PerspeX Speakers: MBL 111F Cables: Transparent Ultra MM2 & Reference MM2 & Powerlink MM2x |
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Hmm, the Lamm's are 1/3 the price of 2KWs and 1/2 the price of MBL's 9008's for example.
I also got a very fair deal and saved much $$$ over the retail.
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System 7.1: Wilson Sasha/Mezzo/Watch surrounds D'Agostino Momentum x3 amps Bryston 4B SST2 x2 amps Krell S1200U pre/pro Oppo Blu Sony Blu changer McIntosh MS300 music server EAR/Yoshino Acute III tubed CDP Transparent Ultra cabling JL Audio F212 Sub Lumagen video processor JVC RS-35U projector Stewart Screen |
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