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| JBL Audio Legendary Performance |
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Well ... seems like that might just be a (near-term, until I can afford a major upgrade) solution!
http://audioaficionado.org/isolation...ect-500-a.html
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SB Touch; 980H; 840C; TD145; C220; Bottlehead Paramount 300Bs; Triangle Titus, NHT SubOne |
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AMP's: D'Agostino Momentum's Pre Amp: Mcintosh C-1000 & C-1000P ![]() Sources: McIntosh MCD-1100 & MS-300, Olive 4HD, SonoS, Pro-Ject 6 PerspeX Speakers: MBL 111F Cables: Transparent Ultra MM2 & Reference MM2 & Powerlink MM2x |
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Yes - I understand it only works up to 500Hz, but that seems adequate for my overall bass issues. I listen in the nearfield (to monitors) so >500Hz, things should be pretty OK (sound from monitors only, and well away from walls ...).
By the time I can afford a MEN whatever, I hope to also be able to afford some nice larger full-range speakers ... this may be part of a retirement present to myself in about 10-15 years!
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SB Touch; 980H; 840C; TD145; C220; Bottlehead Paramount 300Bs; Triangle Titus, NHT SubOne |
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Nice JBL cinema setup. I always wanted to hear those.
I'm curious about the M/T passive crossover. Those speakers are for "behind the screen". I have some klipsch ones like that too. Thing is....all the passives available are EQ'ed according to THX specs behind the screen. There will be a rolloff of the highend and a prominence in the mids. W/o the screen.....the system sounded "shouty" in the mids. I therefore had to go all active. Then EQ the "CD Horn" part myself with active EQ. jc
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McIntosh C2200 MC1201 (x2) MC275 V (x2) Bryston BDA Ashly XO/EQ with huge horns Technics SL-1200MK2PK MC275 V (x2), MC250 (x2), and QSC PLX, Ashly XO/EQ, Juicy Music Super Merlin with huge horns Last edited by jwc; 07-19-2010 at 04:58 PM. |
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That is great to know. Glad you are liking the big horns......me like them too....wish i could hear yours....
I've had the dbx PA.....nice unit. no noise...clean. Lots of features... Right now I have an Ashly XR-2001 on my big horns. love it. I also have the XR-1001 on another system an love it too.....it is the two way version. I've had the EV Dx38. It is a digital unit...I liked it a little better than the dbx PA. I would love to hear the DBX 4800.... Rock on big horn lover.... ![]() jc
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McIntosh C2200 MC1201 (x2) MC275 V (x2) Bryston BDA Ashly XO/EQ with huge horns Technics SL-1200MK2PK MC275 V (x2), MC250 (x2), and QSC PLX, Ashly XO/EQ, Juicy Music Super Merlin with huge horns |
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Hi
jwc.....Glad you like it, look at this. Now I have change from DBX 223XL to Driverack PA+ and done some adjustment. As you can see the freq response has improved since the last time. I have not done any other changes such as room treatment or different speakers position, everthing is the same as before. The difference in the bass region is due to the cutoff freq at 40 Hz Butterworth12 slope. A guy from the DBX forum advice me too do this, he said I could damage the cone. I can't explain why but I am testing it for now, will come back with some more info on that. The reverb time T30 and CSD is the same, nothing has change here. The green is DBX PA+ and the yellow is before. Thanks |
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That is a great looking curve.
Putting that 40Hz cutoff in there I would bet would make the bass for music more "snappy".....something I like. Throw in a movie.....well.... If you are sitting within 15 feet of those beasts, I can't imagine you would blow the cone. jc
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McIntosh C2200 MC1201 (x2) MC275 V (x2) Bryston BDA Ashly XO/EQ with huge horns Technics SL-1200MK2PK MC275 V (x2), MC250 (x2), and QSC PLX, Ashly XO/EQ, Juicy Music Super Merlin with huge horns |
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