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Dan,
Thanks, I thought there was somebody. Yesterday I was pushing a pair of Amati's pretty hard with these amps and I was able to reach pretty loud levels. I'm a little concerned about the heat they seem to generate, and of course they look like they were shrunk in the dryer compared to what I use.
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Indeed, if facts were available, then faith is not required, so in a sense, faith can be based on the absence of evidence-a fiction. |
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Not using them but have heard the MX-Rs many times. It was actually the KX-R/MX-R/C-5xeMP system driving the Sasha's the first time I heard them and I fell in love with the Sasha's. Not having heard them with my own Lamm gear until they were delivered, it was a bit of a gamble but I was confident the outcome would be very satisfactory. I was right as it turned out.
The MX-Rs are great amps, very musical, great bass, sparkling, smooth highs, a bit on the warmer side of neutral as far as solid state goes and have ample current reserves to light up everything but the most difficult speakers adequately in most rooms. I did hear a bit of struggle from them with the Sasha's with their 1.8 ohm dip in bass heavy musical content but the room was 3x bigger than my own. Again, many didn't even notice that tiny bit of bloat and I was being very critical.
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System 7.1: Wilson Sasha/Mezzo/Watch surrounds D'Agostino Momentum x3 amps Bryston 4B SST2 x2 amps Krell S1200U pre/pro Oppo Blu Sony Blu changer McIntosh MS300 music server EAR/Yoshino Acute III tubed CDP Transparent Ultra cabling JL Audio F212 Sub Lumagen video processor JVC RS-35U projector Stewart Screen |
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Keith.......The amps are physically small when compared to the McIntosh amplifier stable, but the real beauty of the Ayre MX-R amplifier size is the solid CNC milled aluminum chassis. It begins life as a 75 pound block of billet aluminum. Once all the internal cavities are milled, and the external shape is milled, the entire enclosure becomes a heat sink, so no need for big external fins, with the additional framework necessary to support the cooling fins. This automatically generates a substantial physical size reduction. The custom made dual transformers nested into their respective milled compartments in the chassis are a thing of beauty. The zero-feedback, fully balanced discrete circuitry employs ThermalTrak output devices that auto bias no matter the temperature of the output transistors. The engineering, design, and build quality appear to be flawless, with an incredible frequency response of DC to 250kHz at rated output. Capable of 300 watts into 8 ohms, and a whopping 600 watts into 4 ohms, the MX-R is no light weight amplifier, despite its demure appearance.
So, how did the Ayre MX-R's sound driving the Amati's? I have not had the pleasure yet of auditioning the Ayre MX-R amplifiers, or the KX-R preamp. I need to get into Jacksonville, and stop by House of Stereo for a listen.
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Dan ![]() Living Room System: McIntosh C2300, MC601 (2), MCD1100, MS750, MR85, Sony DAT 60ES, Nakamichi BX-300, Micro Seiki DD-40, Ortofon 2M Black, Sonos ZP90, Oppo BDP-83SE Blu-ray, PMC EB1i, Fathom f113 w/ Sound Anchor stand, Power Plant Premier (2), PS Audio Soloist Premier SE (3), Rollerblock Jr.'s, Wireworld Silver Eclipse IC's & PC's, Kimber 8TC with WBT Solid Silver Angled Locking Banana Connectors. Studio System: McIntosh C1000C/P, MC2301 (2), MCD1100, MR88, Michell Gyro SE w/SME 309/Ortofon Cadenza Black, Sonos ZP90, PS Audio Power Plant Premier, PS Audio Soloist Premier SE, Sonus Faber Amati Anniversario, Rollerblock Jr.'s, Wireword Silver Eclipse IC's & PC's, Wireworld Silver Eclipse speaker cable. Studio Home Theater System: McIntosh MX120, MC452, Oppo BDP-95 Blu-ray, PS Audio Soloist Premier SE, JBL LSR-6332 (2), JBL LSR-6328P (3), McIntosh XLS112 (2), Sony 52XBR9, Tributaries Silver IC's, Wireworld PC's. Vintage: McIntosh MA5100, MR74 tuner, JVC XL-Z1050 K2 CD player, Wyred 4 Sound DAC2, Tandberg 3008A and 3026A, JBL4312A , McIntosh 4300V for deck speakers. |
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Quote:
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System 7.1: Wilson Sasha/Mezzo/Watch surrounds D'Agostino Momentum x3 amps Bryston 4B SST2 x2 amps Krell S1200U pre/pro Oppo Blu Sony Blu changer McIntosh MS300 music server EAR/Yoshino Acute III tubed CDP Transparent Ultra cabling JL Audio F212 Sub Lumagen video processor JVC RS-35U projector Stewart Screen |
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Quote:
__________________
Dan ![]() Living Room System: McIntosh C2300, MC601 (2), MCD1100, MS750, MR85, Sony DAT 60ES, Nakamichi BX-300, Micro Seiki DD-40, Ortofon 2M Black, Sonos ZP90, Oppo BDP-83SE Blu-ray, PMC EB1i, Fathom f113 w/ Sound Anchor stand, Power Plant Premier (2), PS Audio Soloist Premier SE (3), Rollerblock Jr.'s, Wireworld Silver Eclipse IC's & PC's, Kimber 8TC with WBT Solid Silver Angled Locking Banana Connectors. Studio System: McIntosh C1000C/P, MC2301 (2), MCD1100, MR88, Michell Gyro SE w/SME 309/Ortofon Cadenza Black, Sonos ZP90, PS Audio Power Plant Premier, PS Audio Soloist Premier SE, Sonus Faber Amati Anniversario, Rollerblock Jr.'s, Wireword Silver Eclipse IC's & PC's, Wireworld Silver Eclipse speaker cable. Studio Home Theater System: McIntosh MX120, MC452, Oppo BDP-95 Blu-ray, PS Audio Soloist Premier SE, JBL LSR-6332 (2), JBL LSR-6328P (3), McIntosh XLS112 (2), Sony 52XBR9, Tributaries Silver IC's, Wireworld PC's. Vintage: McIntosh MA5100, MR74 tuner, JVC XL-Z1050 K2 CD player, Wyred 4 Sound DAC2, Tandberg 3008A and 3026A, JBL4312A , McIntosh 4300V for deck speakers. |
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Dan,
They powered the Amati's just fine to levels that I would not often reach around my house. It's just a visual thing that i'm working to overcome.
__________________
Indeed, if facts were available, then faith is not required, so in a sense, faith can be based on the absence of evidence-a fiction. |
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Quote:
That's why I went with the optional/surcharge black KX-R, knowing that I may one day own a pair of MX-Rs in black as well. They don't look as dimunitive in black. Great amps though.
__________________
System 7.1: Wilson Sasha/Mezzo/Watch surrounds D'Agostino Momentum x3 amps Bryston 4B SST2 x2 amps Krell S1200U pre/pro Oppo Blu Sony Blu changer McIntosh MS300 music server EAR/Yoshino Acute III tubed CDP Transparent Ultra cabling JL Audio F212 Sub Lumagen video processor JVC RS-35U projector Stewart Screen |
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